Oh yeah, I totally understand why that would set you off.  Really sorry for your loss.

Yeah, it really soured the ending in the same way that Infinity War’s ending sucked. These people are obviously just temporarily comic book dead until the next installment, they’re not Uncle Ben dead or anything. There’s no emotional gravitas there at all.

I know people will (rightfully) bring up Futurama’s “Jurassic Bark” and “Old Yeller”, but damn near anything with a dog just fucking breaks me. “Marley and Me”, “Because of Winn-Dixie”, doesn’t matter. Dogs just crank my already high corny-old-sap levels to 11.

Oh God yes. Every. Fucking. Time.

Hope they get that one guy from NWA and the Friday movies to play a Gelatin-ice Cube.

“Boy howdy, get a load of that slut dating 2, maybe even 3 different guys a year” is actually a pretty harsh joke to regularly aim at a teenager, regardless of their level of celebrity. I get why she’s still irked by it a decade or so on, and I’m glad she’s showing her fans in the same situation that it’s okay to tell…

How I miss the AVC....

Outsider director, the themes are obvious because the tone’s so light. Insider director, it’s too dark to read.

Neeson has a very particular set of skills, all of which are calling up Keanu Reeves on speed dial. Or should I say, TheBusThatCouldn’tSlowDown dial, amirite?

finding her will keep Betty busy when she’s not teaching kids car-fixing (a thing...she apparently knows how to do)

Yeah, finding that out made me go from sulky that Jason Ralph was leaving The Magicians to accepting it pretty quickly. Not going to begrudge someone for wanting to spend more time with Rachel Brosnahan.

Charlemagne ends up thousands of dollars in debt to a skinhead gang. Holly’s redemption arc finishes with her high off her ass preaching at a congregation at a service she gatecrashed. Odds are somebody went to jail for a stabbing. It’s likely everyone around the peripheries of the songs grew out of their punk shit…

Can we get Hammer as the protagonist, doing that running-on-the-spot dance at random points in the movie. This could also lead into a cool cameo for a Long Walk adaptation where he plays someone that gets killed off early, cos he’s just running on the spot.

I’m snivelling, ineffectual, and have no personality traits that make me appealing to female characters.  Being represented in the arts is important to me.

Big Fish was a pretty ‘meh’ film for me, but I liked Sweeney Todd and Corpse Bride.

We watch him reading A Farewell to Arms, proof that he’s both scarred by the hell of armed conflict and less dumb than he used to be.

Maybe there’s a clause in Disney’s contract that lets their Poor-Quality Deepfake Department put her face onto a body-double, so she can wrap up her story by dying on her way back to her home planet (which, being Alderaan, might be a little tricky).

Are you talking about actual Australians in pop culture speaking with an accent, or non-Australians speaking with a fake accent who are 100% certain they’ve nailed it? cos those are two completely different things.

Shit, you’re right. I stand corrected, and yet somehow my opinion of Morgan hasn’t really changed in the slightest.

There’s a kid who suddenly grows up, a woman who is suddenly pregnant and then has a baby, and what appears to be someone falling off a cliff. Weird!