And Teri Garr! And Martin Mull! I mean it’s just perfection.

Throw in Teri Garr and you have perfect casting.

I saw Blumhouse’s Truth or Dare on a Saturday night opening weekend, specifically to get that audience reaction. But that movie was always going to be a turd and I figured that would be the only way I’d get enjoyment out of it.

You should cut the sleeves off, to really show people you mean business! You might think a denim vest would achieve the same effect, but trust me, it doesn’t.

The wrong opinion on caraway invalidates the entire question. You are layer upon layer of wrong, built upon a core of wrongness.

I saw The Witch, at an Alamo Drafthouse, and the people I sat next to were the most annoying uppity couple of snobs I’ve ever sat near in a movie theater. They were constantly scoffing, laughing, and groaning throughout the entire thing. At the end they bust out laughing while the rest of the theater was dead silent…

Average people are sheep. They are easily manipulated.

“Average people are sheep.”

I typically refuse to see horror with average movie goers because there is always a pack of idiots that ruins it by laughing or providing some other inappropriate audible response.

My only criticism is that the ending explains itself too much.

Love your username btw. Also, I share your frustration with the theater experience. Fortunately I live close to some arthouse theaters that tend to have better crowds. AMC is always a roll of the dice.

But Sunday morning is usually when witches and warlocks invade the local cineplex!

I went to Hereditary at 9:30am yesterday (Sunday). Counting me, there were four people total in the theatre, two of whom were plainly retirees.  I think I’ve stumbled upon the perfect formula going forward, Sunday mornings are going to be my jam.

“When are film distributors going to learn that horror films should be released on digital at the same time as in theaters.”

Adams certainly looks more like Lillis, uncannily so in fact, and she is a brilliant, versatile actor, but I personally think that Chastain has the grit and the toughness for the former tomboy, and is often at her best playing characters who have survived trauma.

Same boat: went to see it before it got spoiled and had the experience dampened by children at a hard R movie. My wife and I agreed that was the last time we go to that theater. Sorry AMC, I’d rather give my money to a theater that doesn’t let parents bring their giggling children.

• I, too, was expecting a slow burn, atmospheric allegorical indie film. This is definitely not that. This is like The Exorcist meets Audition with the relentless dread of We Need to Talk About Kevin and the batshit House of the Devil ending.
  

The owl theory isn’t insane. There are plenty of documented cases of owls swooping and striking human beings, and they produced lacerations consistent with Kathleen Peterson’s injuries.

I thought it was pretty good. I also like that Angel Heart movie from 1987 or thereabouts.

Why am I not surprised that the premise of both Dane Cook movies involve him supposedly fucking a lot of hot women?