You can't skip any of the seasons. I'm not kidding, even the weakest one(S5) is essential to understanding everyone's positions in the final season. If you jump straight from 4 to 6 nothing the characters do will make any sense to you.
You can't skip any of the seasons. I'm not kidding, even the weakest one(S5) is essential to understanding everyone's positions in the final season. If you jump straight from 4 to 6 nothing the characters do will make any sense to you.
That movie was a big reason why when Breck Eisner was rumored as the Escape From New York remake director I actually got interested.
And Will Sasso as his thug.
A Perfect Getaway is great. Utter lunacy in the best way possible.
Banshee started like Justified but basically tuned into prime-era Frank Miller by way of John Carpenter in Season 2/3.
S2 of Damages was a huge disappointment but Olyphant was one of the few bright spots.
He's genuinely hilarious in The Girl Next Door. That's a seriously underrated movie and he's a big part of why.
No because at the end of the day, Raylan is on the side oif the angels. Even at his darkest hours(S4 finale and last week's episode) he's still the hero of the story.
Goddamn, it hadn't really hit me until now that we're only hours away from Justified being over forever.
Fuck you, I almost spat Diet Coke all over my computer monitor.
And the 2nd fight ends by the Rock interrupting it with the pneumatic spear gun.
Hood is technically nameless but everyone calls him by his alleged identity. It still works out.
The books undercut themselves with too much kiddie humor, but the actual story is pretty strong and have some genuinely clever twists on mythological tropes.
It's fucking rad.
The idea that prestigious actors aren't allowed to do action movies because it'll destroy their credibility is ridiculous. Action films aren't some sort of cinematic ghetto that our nice drama actors shouldn't go near.
Sure, but Roth boils it down to "Science Group Bad, Religious Group Good!" There's no actual exploration of those themes in any meaningful way.
Back-story and exposition after the story has ended.
Hey, The Box was excellent!
"HOW ABOUT YOU GET OFF MY BACK?"
I feel "falling into a lake of fire" is a bit more of a confirmation then just an endless void.