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After first accounting for the victims the second tragedy of Cosby is the trashing of his considerable legacy.

That he annoys you now in the 21st Century is totally understandable.
That he was the most popular and influential black entertainer on American TV in the early 1960s is undeniable.

With the context stated the Smithsonian knows what it is doing.

We are all waiting on your script with bated breath.

Exactly. It's the Vegas residency of filmdom.

Christianity has been nothing but propaganda since the Emperor Constantine.

Here's the deal on the Moon landing thing.
BEFORE making The Shining conspiracy theorists were saying Kubrick faked it all.
After watching all the insanity over the 'Paul's Dead' mania and reading the books on subliminal advertising that were also the rage at the time, Kubrick had a little fun shitting on all those

Like Hitchcock and Spike Lee and Chaplin among others Kubrick won a career achievement Oscar.

Mostly just the opening scenes shot in Death Valley.

He wasn't nominated because it wasn't really his movie. He came in well after shooting began by beloved Hollywood director Anthony Mann. Douglas and Mann fought like cats and dogs and so Kubrick was asked to "save the picture" by producer Douglas. But once again director and producer fought over the film with several

The thing that scares me about Poppins for her is there's no chance her singing chops are in the same ballpark as Julie Andrews.

Well Done K.R.

I think it's better than the book so far.
I found the book to be a slog over all.
But it was a great idea for a book and a TV miniseries.

They weren't savages after all.

As far as I am concerned it was one of the best scenes I've ever seen on TV. Who the fuck gives a shit if it actually happened exactly that way or not? Dweebs that's who.

That's certainly the charitable way to look at it.
I find it garish and jarring.

"The Mercer Arts Center did indeed topple like a Jenga stack in August of 1973. But it happened around 5 p.m., before any bands were scheduled to take the stage. There’s no way the New York Dolls were present for its destruction, which makes the sequence—visually compelling as it is—not just heavy-handed for its

It was brilliant TV.
I just wish the videography wasn't shooting for "All In The Family."
Seriously, video cameras have come a long way since Archie Bunker.
Every dive bar I've ever been in took 5 minutes for my eyes to adjust if I dropped by during the day.
Otherwise this is some of the best writing (and ad-libbing) I've

This film simply does not have the courage of it's convictions.
It want's to challenge the idea of faith without ruffling any feathers.
I would love to hear a review from members of Monty Python.