The first film was terrible for many reasons, but the biggest for me was that the direction was so poor at establishing the layout of the house that there was never a sense of where any character was at any given point. It was confusing and killed all tension.

I am not unfamiliar with the Star Wars Spaceyspace Universe, nor am I really paying attention to the prequels, sidequels, animaquels or any other stuff. Also, I am aware that given the chance, Lucas comes up with some awful sci-fi names.

...but come on, Savage Opress?

Putting aside the “Baddy McEvildoer” nature of its…

I’m usually the one arguing for higher grades on a given Bob’s episode, but no way this one was an A. A-plot was kinda weak (I was on the side of the other junior lifeguards more than Tina, and I don’t think that was the intent) and the b-plot barely existed. Always great to see Sgt. Bosco, but Bob, Linda, and Teddy…

Good grief it’s like you actually thought, “What would be the least appropriate comment for this article about Molly Ringwald coming to terms with John Hughes’ sometimes-gross treatment of femininity,” and then wrote that. You couldn’t take the extra half second to scan the article before commenting some…

There’s one particularly gruesome incident of self-harm right at the end, yes? (*thud*)

I feel like you missed the reference.

> Even though I haven’t read much of him, this episode is taking a Faulkner-ian view of how grief

Charlie the Intern doesn’t show up very much after this episode, but it’s hard to top his very first entrance (and exit):

Found footage films are so cliche, why are they even reviewing them? Like, I see my classmates in production 1 talking about doing a found footage film, and I just wanna say "God do something original," like my new short film, about a detective investigating a serial killer, only the twist is HE'S the killer and…