It really says something that the parody machinima Red vs. Blue has a far more interesting story.

“I’m the Half-Blood Prince!”

1 000 000-1: Everything since ‘Iron Man 3' has been a dream Bruce is having while sleeping through Tony’s therapy session.

Yeah, the soundtrack for this show was incredible.

It’s such a gorgeous score and should rank among the best in superhero media.

If he’s going to remain a major player in the MCU, and without Thor around to bounce off of, he has to evolve, otherwise we’re all just stuck in a hamster wheel with the character. I’d say a big point of the show was to force Loki to examine his core self, always becoming that force of chaos, in order to finally allow…

I don’t know why the reviewer hasn’t touched on this hardly at all. This entire show was about Loki coming to love himself, both literally and figuratively, and grow as a person. The buddy cop aspect was about Loki’s growth. The Sylvie aspect was about his growth. It’s all about Loki. What’s going on in the plot is…

Both Luke and Leia die of force exhaustion in their early 50s

their mom died from being sad. In her late twenties.

The Phantom Menace isn’t great filmmaking but it’s wildly entertaining, like a bad episode of Doctor Who. Attack of the Clones is arguably worse - it lacks even the joyous whimsy of the first movie - but Revenge of the Sith frequently brushes greatness.

2005: “We don’t know why...she has lost the will to live.” 

Attack of the Clones has killer action scenes at the beginning and the end. And the stuff in the middle is truly terrible, but when I watched it recently, it became so bad it’s good. The “romance” between Anakin and Padme is Office levels of cringe comedy. And I find myself quoting that sand speech from time to time. 

Rise of Skywalker is absolutely worse than any of the prequel movies. At their absolute worse, the prequels gave us some top notch action scenes. Rise of Skywalker couldn’t even do that right. God, I hate that movie.

It’s amazing how they’re gaming the numbers so they can have their cake and eat it.

With the absolute bomb of Tenet, there is no way that any major film will be released the remainder of year. Every single one will be pushed back to Spring and summer of next year.

They lumped all of that into the number released on 9/7, turning a $10m opening weekend into a pretend $20.2m.

Well, I had it last month and I’m still not going to theaters or restaurants, though I freely admit I’m much more relaxed now when I have to leave my apartment. I had mono three times, though, so I’m well aware that my immune system is distinctly lacking, even when I’m not pregnant.

I saw an interesting article a couple of weeks back arguing that shaming people for not wearing masks, partying, etc. is largely counterproductive. It feels good in the short-term, and there’s a cathartic element in making fun of people who are too arrogant or stupid to consider their or other people’s well-being.…

WB hiding Tenet’s numbers seems awfully timely given it was rushed out to theaters to try and convince us all to ignore this other thing with reality bad numbers.

Another weird thing about Tenet’s numbers is how it’s first week of release in North America just seemingly hasn’t been recorded anywhere. According to all of the main box-office aggregator sites, Tenet released in NA on September 3. But that’s not true - it released on August 26 in Canada. But since Canada’s number…

Do we know the COVID numbers for the film, though?