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I won’t recommend ‘The Ark’ - the characters and acting are pretty painful - but I will give it credit for actually letting characters look grimy and dirty in a crisis situation.

Trying to anthropomorphize this technology is just a vain attempt to obfuscate the plagerism its users are engaged in. AI is a tool and there’s a human operator behind it. The operator is scraping content and importing it into the tool without the original artists consent. I eff around with AI art for my own personal

It’s not “doing” art in any style. It’s just hashing out images and styles that have been fed into it. There is no sensibility involved. It’s not “inspired” by anything. It’s not thinking about the choices it’s making, because there is no choosing involved. If you think there’s any sort of deliberation going on,

Praise Beebo, indeed.

Your nerd-rage get so bad it’s literally blinded you now? She literally has pointed eyebrows and ears right there. Just, grow up dude. 

Next up:

He is not.  It’s brought up in the ad.

But La La Land celebrated Hollywood. Nope brings forth that uncomfortable truth that the Academy and Hollywood is still filled with racist cretins who hide behind movies like Driving Miss Daisy, Crash, The Help, or Green Book, wanting to keep that white savior genre alive. And Nope was directed by an uppity negro who

If you are one of the people who doesn’t buy third party D&D stuff (and if you don’t, you’re really missing out), I’d argue that you’re still losing out because the best people designing in that space will move on to other games, and there will be a much smaller talent pool for WotC to draw on in the future. Nearly

You can still play the Fifth Edition without ever supporting Wizards of the Coast again. Nobody will try to stop you.

It is actually what happened. Paizo employees had mentioned it earlier in the week but Paizo came out today in a twitter thread, linked below, about it. Its wreaking a bit of hell on their shipping times and they had to order a new printing.

Even without all the twists, this was such a great issue because it gives us an insight into how Charles Xavier sees the world. He’s fully aware that he’s incredibly dangerous, which is why he pursues intense self-control, and that in turn is what makes him such a control freak.

Here’s the thing with TRON:

When it came out in the 80's, computer animation was new. Personal computers were the new wave. Disney was also trying to forge new ground with capturing a “teen” and more adult crowd. That’s why we had movies like Watcher in the Woods, Something Wicked This Way Comes, The Black Hole, and

How do I get a Tron 3 without Jared Leto?

I don’t get the hate for Tron: Legacy.

Maybe it’s because I worked on too many public inquiry and public consultation before, but I’m cynical that this won’t just be an empty performance.

The Cloverfield Paradox has (or more accurately, wastes) as incredible cast. But it was a dreadful film in all other respects.

It was a completely separate production that they retroactively added the Cloverfield name and post-production/reshoots to for marketability. So yeah, pretend like it doesn’t exist.

Everything changed when the Fire Na’vi attacked.