mustardofdoom
Mustard Of Doom
mustardofdoom

I enjoyed his show, greatly respect Mr Rogers and think that the world would be a better place if more people followed his example and died in 2003.

“Crawford gets in a viciously low blow about Wayans supposedly riding on his brothers’ coattails, too, just in case any part of this seemed like good-natured ribbing.”

Speaking of Gravity - two NASA movies. Actually a couple from The Right Stuff, when John Glenn is maybe not going to make it and Shephard says “..he’s humming... he does that”, and then of course when Ridley goes to pick up the crashed, possibly-dead Yeager (“Is that a man?” “It sure is..”). And in Apollo 13 when

The most recent example I can think of is Rogue One: A Star Wars Story for me. I don’t care for the movie mostly because I didn’t care about a single one of the characters. However, something about two people just staring at the thing that’s going to kill them and being at peace with it got me choked up. I’m just sad

ABC: We’re bringing back Roseanne!

He had so much first-season stink on him that I totally forgot that he was in the 2nd season.

I wonder if Tom Hanks realizes he’s the patron saint of not groping women, and if so, how he feels about it.

On behalf of everyone here, let me thank you for sharing that gripping tale of sarcastic confusion and smug rejection of something mildly out of sync with your expectations. The fact that many people profess to enjoy a thing only serves to underline the heroism inherent in your casual apathy towards it. Bravo.

I’m glad it won the award, because I watched it right when it came out and was baffled it wasn’t being talked about more.

I had never heard of the show before they won the award, then we watched the first season and were blown away. This is one of the best shows on right now and I wish it got more attention. Rachel’s performance is amazing.

Don’t you mean resting on her yannys?

Of the many surprising revelations of the #metoo moment, this one is somehow... the least.

I’d agree Harrison Ford isn’t all that good at acting. He’s good at being Harrison Ford, which is a pretty great thing to be. And having Harrison Ford fly space ships and investigate robot people and whip Nazis and punch terrorists is great and has resulted in quite a bit of A-level material, it’s never been because

I don’t think there’s a single piece of Star Trek I’d give an A.

That is an extremely accurate assessment of Guillermo del Toro’s output. I think a big part of the problem is dialogue. Perhaps it’s different in his native Spanish, but none of his English-language films have anything approaching great dialogue. It’s always rather wooden and blunt.

1950s in-shape is pretty different from 2010s in-shape.

Still the best of the superhero genre - at least it’s still the best Superman movie. Because it really *understands* Superman.

Apart from Howard the Duck, whose superhero status is debatable, I don’t think Tom mentions any non-superhero comic-book films in his piece (it’s a shame since I’d prefer a broader feature on comic-book or graphic novel movies including The Road to Perdition and A History of Violence etcetera). Plus, since superhero

Fantastic to see that the end of “A History Of Violence” wasn’t the end of quality long form articles on the Kinja version of AVClub.

Yes, she’s “makes your girlfriend make comments you’re not really sure how to interpret” gorgeous.