Maher has always been a boring libertarian. 

Somehow... Murdoch returned.

A mulatto, an albino, a mosquito, fucking slideshow, YAY!

“Spank me, woke mob, spank me! I’m a naughty commenter!”

Good lord. You want everything spoon fed to you immediately don’t you? How dare they talk about or show something without telling you everything about it

“Reader, I wrote “I hate this” in my notes, which I don’t believe I have done since I was reviewing Netflix’s horrific live-action Cowboy Bebop adaptation.”

You got way too mad about the “Far Far Away” thing.

So your argument is that people didn’t say those racist, sexist things to Leslie Jones? 

Afterlife was to me a heartless nostalgia bait cash in that mishandled the passing of a key individual in ghastly fashion. In some ways I kinda look down harder on Afterlife then the 2016, and I aggressively don’t like either.

It…can be both? It’s not like Afterlife wasn’t also a heartless, unfunny cash grab.

I’m thinking that streaming has cut into sales significantly, so the music isn’t the steady stream of income it once was. Licensing is great, if you can get, but that’s only a small slice of a catalog of music. Like the lottery winnings options, if you want to take the 20 year plan, you get more money. However, if you…

“Tyrannis (who sports an olive clasp on his tunic)” has got to be one of the more/most puzzlingly-included character details I’ve seen grace a review. I actually command-f’ed “olive” because I thought there was some olive significance I was missing.

The stuff with Franken was fucking stupid. The people who started banging the drum against him were not acting in good faith, but managed to make enough of a racket to get a sitting Senator to step down. It was basically a more successful version of what happened to James Gunn.

Not only “if she says NO, it means NO”, but if she hasn’t said yes, or isn’t in a state to understand yes or no, then the status is NO.

“I hope you’re never in the fucking position I’m in.”

That position being, refusing to protect yourself and others from a deadly pandemic, at the expense of your career, and then acting like YOU’RE the victim?

Thankfully, I will never be in the fucking position you’re in.

I think you can make a good faith argument differentiating reinterpretation/deconstruction as being distinct from adaptation.

John Oliver also built a tour so he can pay his staff during the strike.

It’d be nice to show some solidarity for the folks who have been supplying him with one-liners for decades. If he wants to do interviews he can fuck off to his “Club Random”

You left out this pronoun hash: