Oh don’t worry... there are billions of us that haven’t.

I can definitely live with being the last to hear it.

I don’t think it’s outrageous to interpret Roland “going there” with not necessarily being racist, but wanting to say the most hurtful thing he could to Hays with all of the pressure, stress, and trauma they had just experienced. 

I’m in agreement that outside of a handful of really good seasons across all the shows, most of them disappointed or dragged.

You’re really hitting the nail on the head with Wayne being consumed by guilt over the Harris James death (one James most definitely deserved), since we even see old man Wayne in the great scene a couple episodes ago in Amelia’s office with the “ghosts” of the dead. The only one Wayne touches on the shoulder and says…

But his death is his own doing, a choice they were forced to make, not a natural consequence of their violence.
That isn’t ambiguity. It isn’t poetic. It’s narrative cowardice.

I’m so looking forward to this as it was my favorite comedy (dramedy?) of 2018. It’s going to be great seeing Hader and the rest of this brilliant cast kill it again.

Perfectly paired with the last season of Veep

Yeah, I just wanted to make it clear that just because you are contracted to make a creative work as part of a company’s larger creative work, doesn’t necessarily mean the company owns it.

Having worked on the production side of the industry for about ten years in the past, I can concur that you pretty much nailed it. That’s a pretty standard part of agreements.

If we take it for granted that this is copyrightable choreography, then, mmmm, technically it depends on if he was an employee or contractor, and if he was a contractor, what his contract stated.

He does not. And even on the off chance they allowed him that, it would have been the IP of the network or studio that he was working for when he allegedly created the dance on Fresh Prince, as stated there.

If a shooter-looter is your thing, then have at it and enjoy, but story isn’t what they usually go for. It’s no surprise that those looking for a great narrative aren’t going to find it with Anthem.

Someone tell Jason Mamoa that he doesn’t have to keep wearing seaweed now that an Aquaman sequel has been green-lit.

‘Momoa is in talks to play Duncan Idaho, a character who barely registers in the original Dune, but who becomes improbably, insanely important in the later books.’ And etc.

Oh, I’m supposed to buy you a card now?

I just want to wish everyone:

To me The Matrix stands alone, in my head cannon, as a masterpiece. I’ve completely expunged the two inferior sequels.

If it’s good enough for Al Swearengen, then it’s good enough for me.