Honestly, this album is her best party trick yet. An album that was supposed to be her big ‘fuck you’ in a lame celebrity feud is actually filled with moving self-reflection with her sense of humor remaining intact. Loved every second of it.
Honestly, this album is her best party trick yet. An album that was supposed to be her big ‘fuck you’ in a lame celebrity feud is actually filled with moving self-reflection with her sense of humor remaining intact. Loved every second of it.
Maybe it’s Baby’s First Critical Analysis to suggest that Twin Peaks: The Return is an extended meditation on both itself and the original run of episodes, but that’s the most coherent interpretation I have so far. I guess the only insight less piercing than that would be “Dale Cooper symbolically represents the…
Eh, what can ya do? The stars thing doesn’t really do anything for me, anyway.
First scene between Bran and Arya and Sansa ends with “Who else is on your list.”
They figure it out, share everything they have about Littlefinger, and figure out a plan to entrap him. Remember, if he smelled *anything* other than the success of his plan to turn the Stark sisters against each other, he would *never*…
Hate to be the bearer of bad news, but I heard the actor who played Walt in LOST has been cased as a mysterious figure with mysterious powers in GOT season 8, will they explain what’s up with him? Probably not. There’s also a scene when everyone thinks they are saved when they see a dragon coming, but Davos saves the…
In episode 2F09, when Itchy plays Scratchy’s skeleton like a xylophone, he strikes the same rib in succession, yet he produces two clearly different tones. I mean, what are we to believe, that this is a magic xylophone, or something?
He’s a zombie dragon. Who gives a shit about the logic of him being able to breathe fire?
I don’t think they lied to us. To me the tension between Arya and Sansa seemed real. The point that broke it was when Littlefinger tried to convince Sansa that Arya wanted to be Lady of Winterfell. She knew better. Once she ran that through her head, talked to Arya and Bran, everything came clear.
That’s more or less my reading of it as well. After the Battle of the Bastards, Sansa still didn’t have family, was still in a Kingdom ruled by a guy. After Jon left, she still needed the Knights of the Vale for protection, which made Littlefinger was still useful to her.
Once Arya arrive, though, everything changed.…
When Audrey walked into the Roadhouse, I yelled at my TV “Eat that, Internet! It’s not a coma!”