Well, I mean, everything’s deep. Everything comes from something.

Ita essentially about maintaining net worth by extending the options on things, I'd say.

Its a VERY 90s concept: ironic absurdism, vaguely positioned as a subversive gesture.

Ya know, I’ve wondered on some level of the original series was successful because it was easy to read as a silly parody of Trump v Hilary. The idea that the show was successful purely because of Lockdown seems like a non sequitur to me, there still has to be something resonant about it and I can’t help thinking that…

its actually called "Three Spider-Men And A Baby"

“Netflix and therefore represents information that Netflix wants you to see, but it is at least interesting to see this kind of transparency from the company”

The kind that isn’t transparency at all, as evidenced by your own acknowledgement that it’s heavily mediated, you mean?

Ok but “anyone who does xyz categorically doesn’t abc” is an attack, not a defence.  Why do people never realise that when they give these stupid fucking statements.

It’s a fair comment but for the fact that Elmo sings the Elmo theme song all the damn time. That's a key point of difference.

Maybe I’m just a fuckin’ idiot but I didn’t really feel like TMSON attempted to ask the question “who made Tony Soprano?”. Like, despite what the marketing tried to claim, answering that question just didn’t strike me as part of that film’s agenda.

You've hit upon the real purpose of these dumb bits.  The joke is there to attract scorn and laughter in equal measure as a means of smuggling the real message in: that public health is now a political question.

C’mon dude, this was obviously a bit.  Not a "self own".

I definitely knew who Kristen Dunst was more than I knew who Tobey Maguire was at that time. Also I remember Tobey Maguire being interviewed on the Saturday morning youth program here in Australia and they attempted to cajole him into singing the Spider-Man theme but he didn’t want to. Fair enough, I wouldn’t want to…

None of this needs to happen.

Permit me a moment of pretentious loftiness. I never thought I’d say this on a post about the Razzies and Catwoman but here we are. The great, brilliant film critic Donald Ritchie once made the observation that a good film is one where we like who we are while we’re watching it. He made that comment while attempting…

Can you believe Elvira got nominated for one?  Elvira!  Cassandra Peterson!  Do me an absolute, god-damn favour.  What a joke.

The Razzies are kind of shitty.  I love bad movies, i love talking about them, i love mocking them, and to be entirely honest, the entire world of podcasting would be nothing without them.  The Razzies seems weirdly mean-spirited though, they’re less about noble failure, or funny incompetence, or the strange communal…

That’s kind of a wild take. Effects shots are designed far in advance, and in Marvel’s case, where the effects are essentially a non-negotiable element, their effects design is planned out to an even greater degree than most (largely because they have the money to do so).  Like, right down to the frame.  The notion…

Reshoots just don't mean what they used to.  There's nothing remarkable about switching back to production mode after ostensibly wrapping anymore.  Its just a change to the production pipeline really.

There was an AMA on Reddit for Corden that was like, 99% people who remember him from when he was UK-based, going “Is it true you’re a horrible prick?”

“Still, he doesn’t address whether or not he has the vaccine or if he would’ve been willing to agree to the protocols if not for these “creative differences,” which seems kind of telling.”