I really like this show, and I really enjoyed watching its younger stars grow older on screen. It never lost its charm, but I feel like the stories are getting a bit repetitive now, so it’s a fitting time to end it.

Reddeadmption.

I think Jesse Plemons to Matt Damon is what Chris Gaines is to Garth Brooks, with Damon using his Plemons persona to play terrible people.

Yeah, don’t name big things with something that has the word “cock” in it. People, like myself, are pretty immature.

For a second there I was pretty sure Pearson is somehow a spinoff of This Is Us.

Gotta say, I’ve never heard of either of the two. And I usually know this stuff.

Megan Ganz is next-level.

Why are you referring to the AV Club as “she”? Did I miss the article about their collective gender identity?

Why is someone still kissing Weinstein’s ass? Do they think he might still have some pull at some point in the future?

Reznor now can claim to have songwriting credits for two exact opposite country singers: Johnny Cash and Billy Ray Cyrus. What a world.

Carolyn Keene never existed, or rather was a whole bunch of people. I guess everybody knows that, but since the article refers to her as a real person...

Remember when he wanted to put the face of the doctor who operated on his mom on the cover of some album? Good times...

In their first seasons this one was better than Runaways. In their seconds it was terribly unfocused, while Runaways somehow gained a much better focus and a huge fun factor.

You know how people have been saying “If Tom Hanks turns out to be a bad person...”. Forget that. If Rudd turns out to be a terrible person, that’s gonna be the end, folks.

You had me at “Stephen Root voices a megalomaniacal billionaire”.

Evil is so very fun at the moment, except I’m not a fan of them playing in the world where Actual God exists, because the topic is such a can of worms almost no one can do it with, um, grace. Mind you, there’s already God Friended Me on that same network. And there was that show Kevin (Probably) Saves the World, where…

Same here. I think, like, on sci-fi level it pulled the coolest, simplest reveal out of it: the idea that in that other world they went through all the same shit, but with other part of the people. I thought it was breathtakingly elegant. And I think it needed that.

Well, it’s not like her traveling to another dimension and not finding anything good in it isn’t depressing...

Yes, it would.

Dylan - or Dylan’s people - are just incredibly self-indulgent. That bootleg series seemingly chronicles every fart Dylan made in his life that someone caught on tape, and its volumes often come out on, like, eleven CDs. And yet... and yet there are always a ton of people who buy it to hear the same songs recorded…