mr-smith1466
Mr Smith1466
mr-smith1466

The music score is what carries it for me. Like the premier had me groaining at how clunky the dialogue was (textbook, tell and not show awful). But then they launch into an orchestral cover of Lana Del Rey and timed the music to James Marsden appearing and I was utterly moved by it.

Season 3 isn’t terrible. It’s still carried by wonderful performances across the board and the visuals are gorgeous. Just set your expectations low and don't expect anything particularly original or thought provoking. 

She’s been consistently great with the near nothing they have her do. So hopefully this is finally her season to shine.

I find it fun to think about what characters were the losers this season. Mike probably takes the grand crown there, since he’s gone from a series lead to being trapped in a nothing plot all season.

As an Australian, something sounds suspicious on the developer’s end. Nothing should have tripped them up. The original version got an M rating back in the day here. I'm inclined to personally believe they never bothered to submit it for classification. The game got a release date literally 2 days before hand, and

I love that Helen Mirren long ago reached the point in her career that she could afford to make the occasional nonsensical career choice without any damage. Multiple fast and furious cameos? Hell yeah. A weird and inexplicable nazi focused spin off to a 2017 movie? Sure, why not.

I don’t know. Norm died a beloved figure and will have a legacy that will endure. Everyday Cosby is alive is another day that arrogant bastard gets to see his legacy in ruins, well aware that the world despises him. Sometimes that's one of many fitting punishments for people like Cosby. I feel the same about Harvey

I loved the simplicity of luca. It was highly character focused. Sure there were crazy magic sea monsters or whatever, but it was a story about actual characters and it was refreshing to see a pixar movie so low stakes. 

That short is really beautifully done. It's what completely convinced me there's more to do in the world of luca. I want to see luca at school. Everyone getting older and reconnected. 

It's amusing that the makers of toy story 4 ran out of things for buzz to do, but then Disney is banking we want a solo buzz movie. 

I normally don't give fan theories a lot of weight, but this one definitely has ample things to back it up. The 2nd movie in particular really makes it clear how old a toy woody is, which makes him being inherited not a big leap. Plus you have Andy's absent father, Woody being protective of andy and Woody's immediate

He fills the supportive friend role in 4 as well. From memory, he doesn’t even really have a plot in that, since so much of that film is rightfully devoted to Woody.

I don’t remember if it was official or just fan theories, but I read somewhere years ago that Woody may have been a toy Andy inherited, and his immense connection to woody was because it was all he had left of his dad. Writing it now, it sounds like it probably was a fan theory, but it was definitely supported by

More of Luca and Alberto! Disney would never do it, but it would be remarkable if a sequel made it that budding romance everyone assumes it was. 

The marketing hook of: “this is the film that made Andy want a buzz light year toy 26 years ago”, isn’t really much of a hook. No one ever gave a shit WHY Andy wanted a Buzz toy. It was irrelevant. All that mattered was it was a wildly popular toy. That was blatantly clear already and that was all that needed to be

Pixar should give the people what they really want: an immediate sequel to Luca. 

Nemesis is abhorrent and ugly. But you at least remember it. American Jesus is a whole lot of nothing. A fairly bog standard origin story, thrown together with controversial Jesus stuff and a final twist that makes everything ypu just read a waste of time.

Morrison definitely wrote or at least suggested the ending. As fun as red son is, it’s nothing special beyond the well done sketch of the alternate dc universe. Red son is absolutely Millar’s best work. Jupiter’s legacy is a distant second for me, but almost entirely due to Frank Quitely.

This was renewed years ago, well before discovery got a chance to cancel anything that looked like it cost money.

He had six seasons planned. Spread three arcs, with two seasons each. So season 2 was the end of arc one.