well maybe they made a gold like substance, not gold per se. i mean, cisco is great at making this gadget, but if he were able to make things turn into gold i think he would have made it by now :P

Iris' boots are the least ridiculous thing about her being a journalist.

While this is a route they could go, we're guessing they will play with time travel lightly. Our best guess is that when Barry does go back in time to save his mother, he ends up doing it BUT it has huge consequences for the future (ala Flashpoint). A future he returns to which has Sara alive (maybe Ollie was killed…

Yes, because that has always worked:

I know, right? Tipping and being at least pleasant to your servers is just a basic way to spread some cheap joy around. I'll sometimes tip more if the person in front of me was an insecure, dickish little girl. Maybe it makes the servers day, or minute, or hour, and maybe they're in turn nicer to someone else that…

How many times can it be said that if you can afford to eat out, you can fucking afford to tip? Not enough times, apparently. Jeebus. I love to tip. I loooooove it. I feel frickin' righteous about it. Sometimes, I tip my barista FIFTY percent, btw, even though she or he has spent a mere 60 seconds on my dirty chai tea…

The problem was that we had to suffer, really, truly, deeply suffer through the entire first season to reach that point.

Oh, is THAT what happened? I stopped watching after the second episode.

They probably stepped up Promise City for the finale, but everyone in Seattle has powers now and they have their own little enclave. How does the government respond? How does society change? How do they deal with bad people who suddenly have powers? We'll never know.

So much bullshit. Even bad sequels do well after great films and vice versa. This is purely the fault of the Stallone turd.

I can't help but feel that after producing the first three novels in a whirlwind of activity, GRRM wrote himself into a ditch and started spinning his wheels, with the new books nothing but endless subplots and "developments" with no real narrative cohesion.

"Am I supposed to understand any of that?"

So no hiding behind the chainsaws or running through the cemetery then? Like it.

My favorite has still got to be these two. The feelin's!

Most of the time, I do not even know it, and quite frankly, I don't care.

Still great