Terrible episode with confused symbolism and a goimg nowhere plot. I'm so disappointed

Maybe the worst OITNB episode so far? No, wait, the third season's second episode was even worse. I think the problem for me is threefold: the symbolism is childish, the musical cues are way too on the nose, and the individual character arcs feel lifeless. Bennett and Daya just isn't interesting after the second…

The trailer made it seem like a typical costume drama romance. When the novel is anything but.

Stephen King loves the Magical Nero stereotype. It's his signature character

I love Lauryn Hill as much as the next guy (shout out to Sister Act 2: Black in the Habit) but part of the charm and success of The Score was the interplay between the three different voices and flows.

Why is Emma Stone's last name Ng in this movie? Did I read that right, her character is married to Krasinki? What the fuck is going on here

Made it about 1 minute into it. Sounds like a child banging on pots

The distinct difference between the first line of the Gunslinger and the last line of the Dark Tower is a small detail: Roland now has the horn or whatever, indicating that this is a) not the first time it's happened and b) it changes slightly each time, perhaps to Roland's benefit.

Anything that prides itself on being as politically incorrect as possible has a 100% guarantee of being unable to treat the offensive material with intelligence or a modicum of self-awareness. "Proud to be politically incorrect" is a direct translation of "I'm proud to be dumb as shit!"

To add to the formal gimmick, the static camera also meant that the audience couldn't look away because they might miss the "blink" of the camera and thus crucial information. It's exceedingly clever. Only the second Paranormal Activity managed to work with this formal gimmick, by introducing the slow oscillating…

The Mike O'Brien sketches are, for me, such a refreshing change from the "awkward" monotony of a Kyle Mooney sketch. There's also quite a bit of pathos in O'Brien's sketches. The pathos helps the joke land better. Take a lesson, Mooney

Normally I hate when people say "nobody cares" because obviously somebody does. But in this case, I think you're right. People will watch whatever shit they put these characters in, so yeah, nobody cares about this article, for sure.

Man I am tired of Wes Anderson. The guy is turning into Tim Burton: the monolithic aesthetic

What next? Kazaa will shut down? Won't somebody think of the children

I wish that thing had never existed. We don't need any more grim and gritty bullshit. It's such teen tryhard nonsense.

Didn't want it in the first place. Nostalgia is fucking an endless abyss of emptiness

I wish the Mozzer wouldn't say accurate things every once in awhile. It makes it hard to hate the guy for the rest of his loathsome schtick.

3 dollars an episode? What does Hasbro think they've produced to charge this much money? Full House???

This is a surprisingly long article about Law and Order. Thank god for the Internet

I absolutely cannot move past the nostalgia. I'm so sick of shit romanticizing the past and making it seem so nice and beautiful. I loathe this movie, even if I think it's a gorgeous aesthetic object. "I don't know nothing about birthin no babies" remains one of the most loathsome lines in cinema history.