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This! Saw it years ago when I rented it from a sweet indie DVD rental place in Charlottesville, VA, but haven't had a chance to catch it again.

Yup, that's pretty much what I recall reading. Thanks for the response, and, you know, if you don't mind uploading it…

Has anyone seen the workprint/uncut version of Hard Target? I've heard that it contains scads more ultra-violence, but seeing how there has never been a decent, easily accessible DVD release I've never had the opportunity to compare it to the released version.

The complete and near total reversals of Caesar and Crassus from the first episode of this season is what really made me love this episode. DeKnight pulled that trick off in four episodes, which speaks volumes of how keen a grasp he has of character.

Apologies if this is mentioned downthread, but in the midst of the utter bleakness there was the Skinemax Crassus' sex scene, which at first was utterly baffling, but the longer it went on it became a moment of pure hilarity. A much needed moment of hilarity, because of what followed.

While I've expressed some stupid, unfounded concerns with AT this season after the dazzling two part opener & Jake the Dad, these last two eps have reminded me that doubting the boundless prowess of the creative team was mathemoronical. Yeah, the quality dips some every once in a while, but that's been the case most

Hey, I know…wait, knew people who are buried there.
I'm no conniseur of cemeteries, but that's a good one.

I love Nightwing to such an extent that everytime he seemingly makes a badcall I always think that, like his mentor, he's playing chess while everyone else is playing checkers. I'm deluded enough to entertain the possibility him and Jamie planned out Blue's betrayal, that he and Arsenal hatched a scheme to have

Aaah! No time to read this now (bed at 11pm, what has my life come to?), but I bought this based on Todd's reviews and the love you commenters showed in the threads. Great purchase, greater show. So much to obsess over, so much intricate and detailed world/mythos building that I was hunting down any and all even

Ooh, fun list time! Shows airing now…

For an activity that doesn't involve much of any exertion, I'm hesitant to say laziness, but, here we are.  Plus, I figure I'll just marathon it on the Netflix when they get Season 2.

With ADVENTURE TIME going through some pains of losing some key staff members, with ARCHER dipping a tad in quality, with YOUNG JUSTICE being cancelled, with THE VENTURE BROTHERS not coming back until May, with no KORRA and with me not really keeping up with BOB'S BURGERS and REGULAR SHOW, is GRAVITY FALLS now the

I like this thought, a lot, whether it's intended as deragotry against Dunham or whether it's an astute observation about Dunham and the show. I think the constant nudity is a "look at me me me" thing of a deeply flawed but fascinating character, a "silly person" (Jemima's comment last episode being an

Why would a creator read criticisms of their own art? Not saying that Dunham and company don't, it just seems counterintuitive to me. I reckon one has to be at least a little bit of a narcissist to be a creative type who flaunts their work to the populace, so maybe it's part and parcel of of a mindset that's alien

Even with the love of her family seemingly mellowing her out a bit, she's a character who would rather put one in her own brain than be captured. Loved that sequence, and his response that if he's captured, she should expect the Feds within an hour. We know he's an ultra-badass that wouldn't fold under

Co-sign. Even if the show goes off the rails, one can always look forward to well shot action sequences that aren't a blur of kinetic editing.

NINJA wasn't very or even good, but UNDISPUTED III ain't too shabby. I prefer II, where Adkins plays a pretty menacing heavy against Michael Jai White.

You forgot MEMENTO and neglected to mention the overt Cronenbergian jizz that coats the entire film!

The showrunners have been doing this for a while now, characters disappear for a few eps or longer and then come back. I reckon the reason is fiduciary. It always makes sense, like when they shipped Jeremy off to Denver or jettisoning past Bonnie because the character was weighing down the show. Caroline and Tyler

Troubled production and the scattershot plotting knocks A BETTER TOMORROW II down a peg. Woo and Hark had different ideas about just whom the story should focus on, and it shows in the final product.