mmah
keepcoolbutcare
mmah

Album would, of course, be Grotesque (After the Gramme).

I'm not feeling your wrath, needs more bombast.

WOLVERINES!!!

Jackson eats entire buffet, tough like a ukelele.

Guess that explains why she always seems to be squinting in every role she's ever played…

In no particular order, and with lots of catching up to do…

Jim Broadbent if they want to skew older. Benedict Cumberbatch, Ben Whishaw if they go younger, though nay on all three if that excludes them from taking over after Smith.

He who would pun would pick a pocket. Good news is your pants will be lint free when Captain Dada is done with them.

"And what’s more, have you ever considered that Jack And Jill—and
all of Sandler’s comedies, really—are, at their root, about the Jewish
experience? No you have not, because you are shallow."

Aisha Tyler as Ginger, Naomie Harris as Mary Ann. Fap you, and good night.

I think the very name Simon Abrams riles up the blood some with a few of his detractors; sounds like a heavy in some sleazy Hollywood action pic. While I may disagree with some of Simon's critiques and criticisms, I certainly don't begrudge him for having them nor in the way he chooses to express them. I kinda like

I choo-choo-choose to remain caustically optimistic about "Hell on Wheels".

Hayden, don't know if I mentioned this before, but a thousand salaams in your general direction for your quality write-ups, which got me into the show in the first place. I also want to give a Kang and Kodos kudos for your write-up of the premiers Simpsons episodes that aired this year. Reading the comments, I saw

Not sure if it's years and years of illicit substances frying important synapses, or if I'm consfuing and conflatingn different shows, but didn't Scooby Doo do a headless horesman epsiode? Cuz that's what sticks out in my feeble brain as an episode that seriously freaked me up something fierce as a wee one.

Not much in terms of shock, but that scene in the bathroom when he begins losing his teeth? It's not really played for shocks, so it's the matter of factness of it all the creeps me out something fierce.

This. A million times this. Was coming here to post about that very scene, as I was kinda surprised it wasn't mentioned by the staff.

This. A thousand times this. Saw it once in a film 101 class, and while I imagine most of us had seen the film already, the audible gasps of shock were palpable.

This has probably been said by others already, and certainly said in a far more erudite and intelligent way than I could muster, but TWD is amongst the more faithful adaptations I've come across. Not in terms of plot mechanics and adherence to the comic storylines, but the show has managed to be particularly adept at

1) The Addiction
2) Genesis/Aftermath
3) Soft for Digging
4) Inside
5) Trouble Every Day
6) The Shining
7) Perfect Blue
8) Brain Dead
9) House
10) House
11) Eraserhead
12) Splinter
13) Pulse
14) Shivers
15) The Room

I'm a gonna finish reading all the comments later, so apologies if someone else has said something akin and far more intelligent than I could possibly muster, but instead of framing this debate around Malick, a filmmaker who has a preternaturally keen eye toward nature and who incorporates themes of man and nature