Being upset about other people making decisions for you sounds incredibly child-like to me.
Being upset about other people making decisions for you sounds incredibly child-like to me.
When you spoil something for someone you’re essentially making a decision for them
I agree people get way too sensitive about minor details being spoilers, but you say yourself there are “precious few true surprises” and I think that’s what people want to hold onto. When you spoil something for someone you’re essentially making a decision for them, which is why I feel it’s better to error on the…
They sure are, but in my case it’s because of the smileys, rather than the text size.
Damn, that does sound satisfying. Sigh. Maybe I can deal with Kojima’s whole *makes jacking off motion* thing.
Im here for the larger text. Help a blind bat out.
He’s also not wrong about the general European(I’ll trust him on the Japanese) being more receptive to art more outside the social norm. This isn’t saying there isn’t an incredibly large amount of American individuals who don’t share in this but broadly speaking it’s more ingrained in European culture and you can…
I’m looking forward to his reaction when someone tells him his film’s “not cinema” because Netflix.
Nor am I surprised that a tougher set of American criticisms is met with the unfair (mostly) assertion that European sensibilities are more artistically refined.
Italian speaker here, to correct mistranslations ( from the original Italian review into English).
This is a level headed and fair minded perspective and is therefore not allowed here on the internet. Moderators please ban.
It is true tho, if you look at comics even. European and japanese graphic novels have historically had a broader range of ideas.
Looking forward to all the headlines about critics who had to delete their X social media account because angry neckbeards death-threated them off the internet because they gave Kojima’s movie a 6.5 out of 10.
Honestly I think its ok that Kojima made some generalizations. The man himself is not a critic, nor is he infallible. Its ok that his games have flaws, I can pick out a dozen from the ever-beloved MGS3 (which I too, love), as is it is ok that one demographic of people have more or less issues with a piece of media…
I wonder if they built the game servers to “expire” certain player-made structures after a certain time, but maybe the ‘like’ system ensures that some are refreshed by how many or how often they are rated.
I doubt, even with everything in this game, that KojiPro would have someone called “theoriginalDONG” or whatever it was running around the game world. I don’t think there were a ton of us but enough that I recognized some Polygon folks and YouTubers like YongYea.
As per some of what I outlined in another commenter, I think it’s pulls objects in using a variety of factors. Because of that I actually think that this won’t be as big of an issue as folks might think. Regions also only show other players structures *after* being connected to the chiral network.
I’ll probably break…
The love-it-or-hate it reviews I'm seeing are to be expected, I suppose, tho I trust Heather's judgment more than most. I suppose I'm wondering how many people there really are on these servers pre release, vs "players" that are really just help planted by the developers.
Yeah, Tim saw some of my stuff. Chris (Person) did too. Tim didn’t really build as much as I did though, so I didn’t catch many of his things. I made a real point of it: a bridge outside of the first city, a silly message near a plot-ruined bike, the aforementioned ziplines.
As I understand it, the game sort of culls…