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Huh, I can imagine a lot of elevator pitches for movies / episodes midway through a Mass Effect Series (Mass Effect 2 as a variation on a heist movie, for instance), or even midway through the first game (with the subquests as the focus of individual films / episodes), but I have no idea how you would start it in a

A Gargoyle, minutes before being slain by Jack: “Man, I am going to look so great in these chaps.  I’m just going to carry them around with me as I do my daily patrol of the Temple of Fiends.”

The black shirt and the white shirt were useful items in the original game. I just wasn’t expecting them to be so... literally realized in the remake.
(No, I’m not serious.)

Only in Soviet Russia.

This just in, Kotaku blacklisted from future Square Enix game reviews for leaking entire working script of new Final Fantasy game.

I didn’t have high hopes when I heard the rumors of a FF1 inspired Souls-like, and wow... I am still somehow left disappointed.  This was bad to the point of self-parody.  What were they thinking?

I can’t help but reminded of “The Producers”. It’s super cool that you were able to finance the film that way though.

Homeworld 3 was, I believe. That’s what this article seems to be about. Psychonauts 2 and Pillars of Eternity 2 were as well, as I recall reading the Fig pages about them. The thing was, as I recall, that the games had to hit what seemed like very high level of baseline success to get to the point where they paid out

The “investing” aspect of Fig always seemed neat, but I’ve yet to see a project use it which I thought had a hope of actually achieving its revenue sharing payout targets.

It wasn’t announced until well after platform selection had been frozen, as I recall. I was quite peeved to learn that the copies being sent to most backers wouldn’t be complete. The fact that physical PC backers would get all the stretch goal content wasn’t announced until even later (update #87):

Previously in the kickstarter campaign, 505's representatives had mentioned the possibility of a “complete edition”, to be released once all of the campaign stretch goal content was developed ( or dropped, as the case may be). In fact, Backers who chose the Physical PC release still haven’t received their physical

At the same time, Gouken taught Ryu, who has a super powered evil side so potent that various other characters have attempted to weaponize it, and which has been its own playable character more than once. So it seems like he’s (Gouken is) being a little inconsistent in his application of standards?

Hunk counts because of 4th Survivor right? In which case, Hunk.

I thought Garrus was calibrating the accuracy of the Normandy’s cannons? And I think I recall an overheard conversation between Garrus and Legion where he, somehow, achieves higher than Legion’s predicted theoretical maximum in that regard?  Implying that there was some use to his work throughout the series, or that

It sounds like the narration may also be AI / CGI generated?

Has Ada ever appeared in a Resident Evil game that didn’t have Leon in it?

It’s certainly possible that’s the case. But I suspect that, had they been so inclined some very minor changes could have left her fate more ambiguous. As is, they’re going to have to either pull some Wesker level hi-jinks, or do some narrative tap dancing with the Mold if they want to use her again.

Given her seemingly positive initial response, I was surprised that they appear to have done so little with her in game, and then wrote her out so completely.  It sort of seems like they’re leaving money on the table, so to speak.

But wait, don’t Apple phones contain an internet browser?  One that comes pre-installed on the device?  One that could be used to browse an essentially limitless volume of “adult content”?  Is Apple then on the hook for anything that could be accessed via Safari?

Rather than, “We’ve canvassed our company’s anime fans, and they say your proposed design is a 10. But for an extra $500k, we could build you an 11.”?