“I mean we’ve had YEARS and YEARS of women on SNL getting no screentime”

Honestly I didn’t like this sketch, but...

“Playing on the sight gag of the two most well-known female cast members doing drag, it felt cheap. Why not have Dismukes and, say, Kyle Mooney do something that actually reveals something about early dating?”

I mean we’ve had YEARS and YEARS of women on SNL getting no…

I find Kyle much more tolerable than Mickey Day, who literally has the same damn high rise inflection in every sketch. Plus, I just hate his face. 

Yeah. This made me throw up a little.

PDD reminds me of kind of a wannabe Workaholics.

I normally don’t like Mooney but I thought his WU sketch was decent... until it just sort of petered out like he couldn’t figure out how to end the joke.

Smoking is cool as fuck, smokers are infinitely cooler than people who shame them

seriously? that’s what you’re clutching your pearls about?

they knew what they were doing when they made zoe say ‘momhole’ that much.

The McKinnon/Bryant teen boy scene was really sweet the first time. Shame it had to repeat.

There was definitely a lot of it in Disney Presents: The Life of Marky Mark

You were not put on this earth to “get it,” Mr. mumbles!

This is easily the worst movie review this site has ever published

Honestly, this review is so weird I’m left wondering if this is real. Does this movie actually exist, or is it a time-shifted April Fools’ Day gag? Why on Earth does anyone make an animated movie that’s a period piece set in 2002? Why does Martin Tsai’s bio read that he was an AV Club New York Intern from 2006 to…

I was born in Winnipeg...

I remember when AV Club reviewed films.

That girl’s got some Ardmann teeth.

Not just still alive, but still ACTIVELY working. He has two roles in 2022 releases, and 2 more upcoming projects in post production. The man is in his 90s!

After Luca, I wonder if that’s the new Pixar house style, to differentiate themselves from the Disney Feature Animation division.

I’m starting to wonder if Disney is secretly financing these very dark dystopias, banking on the fact that, after watching them, audiences will be happy to throw even more money at Spider Man and Thor.