We should give Zack Snyder… the book.

He's better than Wolf Blitzer, but then again, you can say that about virtually every celebrity.

As long as it ends up in The Sweet Hereafter, I'm good.

I hope this thread doesn't last for Thirteen Days.

Oy!

Also Viva Knievel!, where he's a henchman for Leslie Nielsen facing off against Evel Knievel and his buddy Gene Kelly (there's a great Rifftrax of that movie, if you're into that).

That's a totally underrated episode. I love seeing Captain Santa Claus from Space Mutiny as a villain.

Really? I haven't seen Pillow Talk in a while, but to me it's a bizarre and awful relic of its age. The fact that it won the Oscar for Best Original Screenplay over the likes of Bergman and Truffaut (yes, they were nominated for Wild Strawberries and 400 Blows respectively, and North by Northwest was nominated too)…

A dozen seasons and a McLovin.

Also in The Rebel Set.

Can't we get beyond the Internet?

Yes, unless you love conformity, apparently.

There's actually a pretty funny joke to that effect in the movie.

Additionally, Felix isn't really perfect either. Being incapable of breaking anything can be a pretty big obstacle, because sometimes things need to be broken. Also, it's interesting that the key to his power is a hammer that he received from his father (he is Fix-It Felix Jr., after all), which means that he probably…

Additionally, Felix isn't really perfect either. Being incapable of breaking anything can be a pretty big obstacle, because sometimes things need to be broken. Also, it's interesting that the key to his power is a hammer that he received from his father (he is Fix-It Felix Jr., after all), which means that he probably…

The analysis of Zootopia is pretty good (error about prey aside), but it's a pity that the author felt the need to smear Wreck-It Ralph in order to praise the other.

"playfully obnoxious"
The A.V. Club

Thanks for acknowledging the elephant in the room.

The AV Club
Journalism, sure.

Would that it were so simple for that marketing strategy to work for every comedy.