I know, it looks crappy but seeing how Blunt and Theron fight to chew the most scenery has got me hooked.

I said below, Evans just got Johnny perfectly and Chiklis also got the tragic side of the Thing (see the heartbreak in his eyes when he goes to his fiancee and she literally runs in tears from him). A shame the rest of the movie couldn't measure up (I'm as big a fan of Jessica Alba as anyone and she was totally wrong…

At least this doesn't ask us to buy the impossible premise of Kristen Stewart being more attractive than Charlize Theron.

Say what you will about those earlier FF movies but Chris Evans nailed Johnny Storm perfectly: The cocky showboat who LOVES how he can turn into fire and fly and embraces the celebrity aspect of things wonderfully.

The problem is if any movie propery should NOT have a "grounded and realistic" approach it's Fantastic Four. This is meant to be wild, to be outstanding, visiting other worlds, going wild and such, you don't "ground" that.

Xfnitiy already doing a "Watchathon Week" of binging stuff for HBO, Cinemax and Starz. A bit ticked no Showtime but trying to catch up on stuff.

Yes because Power Rangers is known for sedate and sensible looks for the bad guys.

Best line: Regina telling Zelena "Just because you made one mistake…or thirty…"

You know he lived and all but you're still going "Oooooooh shit," whenever he seems to sway the wrong way.

Love Tyler asking about Alicia's kids like he knows about them personally and she's all "I'm sorry…WHO the fuck are you?"

Sue me, I liked Anderson's Three Musketeers. Dumas was basically the Michael Bay of his day in his books and already wild stuff but surprisingly some touches that were great (FINALLY a D'Artangan who's as young as he is in the book). The scene where the four of them fight 40 soldiers is just brilliantly done from the…

I remember seeing Cinema Sins' take on Ghost Protocol and getting to the scene: "If you saw this in IMAX, you know why I'm subtracting three sins."

Saw the first in FPS and it just looked so…weird, off-balance somehow so skipped it for the next two.

I'm afraid Tomorrowland flopping scared Disney off to more mega-budget sci-fi flicks for a bit.

Plus, the chilling bit when Cameron matter of factly calls out the date as they go under: The early hours of September 11, 2001. They come back up hours later and the world has changed, freaky as hell.

A major one left off: Ghosts of the Abyss. James Cameron taking a team with the latest in underwater tech for an exploration of The Titanic. Seeing that wreck coming out of the darkness in 3-D and an IMAX screen gave you chills and you see how dangerous being down there is (it's several thousand tons of pressure per sq…

You know, if Snakes On a Plane had come along during the 3-D craze, it might have been a bigger hit.

Think meant as a joke.

I always remember Roger Ebert's review of one Step Up movie where "the characters are freaking out over not having enough money while standing in a studio packed with, by my reckoning, fifty thousand dollars worth of video, music and clothing material."

How about a follow-up of "Movies that can only be appreciated in IMAX?" Gravity and The Walk can qualify for that. Also, you only get how awesome the building climb in Mission Impossible Ghost Protocol is when you see it on the IMAX screen.