*Scott free

And who thought Joel Kinnamon could act. He's the wallpaper paste of online streaming. The Kevin Costner, if you will, of the small screen.
They took something as dramatic and important as PTSD and relegated it to the community theatre acting chops of artificial vanilla extract.

While the score is great, it's almost verbatim the score for the entirety of Fuller's other brilliant show, Hannibal. The overt similarity takes me out of those scenes where it's used b/c they seem like outtakes from Hannibal's dream sequences.

One episode that I love that never seems to get respect on the discussion boards is "Cause and Effect". The story is weak, sure, but it's cleverness is in how it's filmed. Each loop is filmed differently, from different perspectives, and it has a bit of a claustrophobic feel to it. The ending with Kelsey Grammer…

I like Blaise, but I'd really rather see more Hugh Atcheson. I didn't like him when he was originally on Masters, but as a judge, he's relaxed and genuinely funny. Plus he has the bona fides to justify his place on the panel as a regular.

You mis-spelled Brooke. You meant C-A-S-E-Y.
"I'll say it, I've never been into *Casey*. She comes off, I dunno, smug? arrogant?"
You're welcome ;)

Edna Lewis is the Top Chef version of "synergy"

Elliot is also responsible for PHASE 2, "phase" poster behind him. Two posters shown, two people. Angela planted a device so that F Society could LISTEN to the FBI (excellent audio for discerning listeners)

Could explain why he kissed her goodbye before getting off the train, something the touch-phobic Elliot wouldn't ordinarily do.

I think it's all about loyalty for Axe. He 'teases' Wendy only to see if she'd slip from her loyalty to her marriage - if she does, he no longer trusts her - as long as she stays loyal to her husband, she proves her loyalty to him.
The naming rights was a good example - he was pissed not about losing his caddy job,…

First off, please please please stop trying to make Betsy Ross happen. She adds absolutely nothing to the show/story/drama and she's making the actress who played Katrina seem like a 10-time Oscar winner. And I've never seen such an absolute and complete dearth of chemistry as between Crane and Ross. Just knock it…

Dear FOX,
Stop trying to make Damon Wayons happen!

I totally read this in Schmidt's voice

Is there a reason Wentworth Miller talks like Auntie Mame?

Replace the word "episode" with "club" and you have a Stefon from SNL sketch:
“MIA” is an episode that has it all: leopards with diamond collars,
not-strip-club types with savior complexes, teen Russian sex slaves,
lilies as a symbol of blackmail, and rentboys who shit on pillows.

Schroedinger's Thack?