Man, fuck SyFy.

How the FUCK is this show canceled.

Amos: “You’re not that guy.”

Holy shit, there’s two of them.

Surprised by how lovable he was in Goon and he gave a nice, low key performance in the otherwise pretty bad Just Before I Go.

Good choice, always thought William Scott was underrated and he seems to do great work no matter what he’s in. For example, he gave the only non-embarrassing performance in Southland Tales, and made Stifler into an iconic character.

Man, this is really disappointing. The Expanse was providing a kind of Sci-Fi that I just don’t see enough of. I really hope they find a streaming home for this.

I really hope they find a new home for the series. It’s the best damn scifi show on TV right now. Looking at the details of Alcon’s deal with Syfy, I do understand Syfy’s position, though. A first-run only deal is terrible for a modern TV network.

It’s one of the best shows on TV, so of course they would cancel it! SyFy logic everybody.

It’s always a good sign when you realize you’ve been holding your breath during multiple scenes.

Wow, I love this show. Great episode.

They’re both assholes, just in wildly divergent ways.

I loved how disappoint Amos was for missing out on pacifying mutiny.

Yes she is. Also a boss: Amos

I loved how the Martians realised they were not saved by their own because they recognised James Holden and “Tachi”. You may be too famous to really stay away from the war. And even then Avasarala can still talk you to sending the message.

The mind/body problem is widely studied in philosophical circles and people have been swapping bodies and brains in cinematic sci-fi going back as early as Metropolis, and even further back than that in sci-fi literature. The 60's and 70's also offered some imaginative modern takes on the subject, with Herbert’s…

“Buy a girl a drink first.”

I don’t know why seeing Syd in that guy’s body beating up those bitches made me laugh so hard, but I needed that.

Ellen Kuras was an inspired choice to direct this episode since she was also the cinematographer of Eternal Sunshine of the Spotless Mind, and it showed. The shots representing memory as a collection of images and impressions that are changing over time really made the material standout.

“And Mack is only one of the wealthy and influential women caught in Raniere’s orbit. As far back as 2010, Vanity Fair ran a story called “The Heiresses And The Cult” detailing how Seagrams heiresses Sara and Clare Bronfman had blown more than $150 million of the family fortune on Nxivm and Raniere”