The cost of sadness sure is getting competitive.
The cost of sadness sure is getting competitive.
About time they finally caught up with Nintendo.
“Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more…
We must, however, acknowledge, as it seems to me, that Inklings with all his noble qualities... still bears in his bodily frame the indelible stamp of his lowly origin.
I like to think that Waluigi is actually just some mundane accountant who’s pissed off at everybody else who gets to make a living travelling the world, rescuing princesses/ghostbusting/being a tyrant so he goes to their sports games to let some steam off.
Like dyed? His clothes?
That’s like saying that, for the same money as a name-brand purse, you could get a lot of fabric and make a giant bindle in which you could carry way more stuff. The point of this product is appearance and nostalgia, not storage.
Yeah, that sounds like a monster that will turn you to stone, but only for five minutes, after which you return to your regular form, unless you purchase the full gorgon.
Not pictured are the included UV gloves to mitigate this. They are fingerless so the nails are still exposed.
Not pictured are the included UV gloves to mitigate this. They are fingerless so the nails are still exposed.
Don’t UV nail dryers carry similar, albeit lower, risks as tanning booths in terms of increasing risk of skin cancer? The skin cancer foundation recommends applying sun screen to hands prior to using to mitigate risk.
Don’t UV nail dryers carry similar, albeit lower, risks as tanning booths in terms of increasing risk of skin…
The original 360 controller had the worst dpad though. Xb1 got it right.
These things never resemble anything that could have appeared on any ‘8-bit’ system. They should really re-brand themselves as ‘sub-par pixel art cinema.’