Gosling and Crowe were great, but Angourie Rice stole that movie.

 Why does she turn into that despot’s enforcer?

Directed by a hack of a director.

I’m a believer. Minnesota winters are dry as fuck.

Obligatory:

Lorraine collected that final debt for Danish.

I liked the minimalist exposition that filled in the back story for all the players. It makes them feel like people with actual lives and not just props for the protagonists. Like that little bit with Leah about “that day” that told you: She was Danvers’ stepdaughter, not her bio-daughter, that her dad died in a DUI…

CBS, the most risk-averse network ever. How Person of Interest ever got approved, I'll never know. 

“Bill" could've been Barr, Trump's AG.

Gator is going to accidently be a part of Roy’s demise, calling it now.

The mythology episodes were kind of bad.

I’m not sure how I feel about that ending. I’ll have to stew on it a bit.

Why do people have so much trouble accepting the fact that someone can be a) a decent person with whom people enjoy working and b) a hack?

Personally, I’m moving Lorraine from villain to the “Magnificent Bastard” category. If she actually teams up with Dorothy, the outcome is a forgone conclusion.

All he had to do was not be so fucking obvious, and he would’ve been fine in the current Republican caucus. But this was a grift with no art or finesse. And the lies were on par with, “He claimed to have invented the question mark."

Lorraine in no way is a good person, but damn if I didn’t enjoy her calling Roy out on his bullshit. Baby, indeed.

This sucks. I am glad he was able to show he was more than Frank Pembleton. R.I.P.

To me, the series’ best scene is Season 2's motel shootout. It encapsulated the themes Fargo does so well — a tremendous outpouring of violence driven by big confrontations, smaller grudges, and everyone’s inability to have a complete picture of what’s going on.

First fifteen minutes can stand with any in this show’s history. Juno Temple is killing it.