This. A million times this.

Saw Rocky Horror Picture Show when I was four or five (because my brother was obsessed with it) and that used to scare the crap out of me for some reason.

Ain't it a fwiggin' shame.

This sounds like it's going to be authentic frontier gibberish.

Not enough for a 24/7 cable channel.

Pretty sure that Gallinger will embrace eugenics, however heavy-handed and predictable that is from a writing standpoint.

…or he could just make another solid movie like Bottle Rocket or Rushmore.

"Colbert’s influence on the track is not immediately clear…" That's because this isn't the track Chance wrote with Colbert, and that's something they explained in the interview just before he performed the song.

Indeed.

I thought this was awesome until they said she can't sing. That's kind of a bummer. Sort of like when Johnny Depp half-assed his way through Sweeney Todd (singing-wise). Or when they got the girl from Beasts of the Southern Wild to play Annie (great actress, but not a great singer).

The Bunk is strictly a suit-and-tie motherfucker.

Jimmy taught me that.

Nah.

Awwwww, yeeeeaaaaah.

Some people already said The Beatles, but I'll co-sign that. I respect them, but prefer The Stones and The Kinks. Also generally feel—like others here have expressed—that Wes Anderson hasn't been great in a long time (though I like Darjeeling).

Bizarre Foods: Delicious Destinations isn't even a show; it's just stock footage of random cities with Andrew Zimmern green-screened against it from his house.

Hopefully you're right, but I feel like it could be a missed opportunity, given the fact that the manga was never fully adapted. If Hollywood stopped assuming that American audiences couldn't handle an all-Japanese cast, we could see someone at least attempt to do the source material justice rather than trying to…

Every time they bring this up again, it's still a terrible idea. A big part of Akira is the extremely unsubtle subtext of postwar Japan and the last effects of the bomb. Can't really imagine how they could filter that narrative through an American lens and have it not turn into yet another bland, post-apocalyptic…

Talking Heads' "This Must Be The Place." Fleetwood Mac's Tusk. Antonio Carlos Jobim's "Águas de Março." Anything Dave Brubeck composed. Nick Drake's Pink Moon. Vashti Bunyan's Just Another Diamond Day. Mos Def's Black on Both Sides. Most MF Doom. Wes Anderson's Bottle Rocket and Rushmore. Fellini's 8 1/2. Most of…

Wondering the same.