Always great to see Donovan, and it seems a like a role well-suited to him combined with a neat premise. I see more than a few similarities with Burn Notice, which is perfectly fine by me. I'm in.

So, is Cage at the "straight-to-Vimeo" stage yet? Somehow the worse the movie the more fascinating he is.

Maybe you should Karla head next time!

This was the album I bought when I got my drivers license, and
consequently I drove around all summer and most of the next year with
nothing in the tape deck but Achtung Baby. It was the soundtrack to
parties, hangout sessions, road trips, and dates. Too many good memories
for me to not call it one of my favorites,…

Thanks for the Half-Life flashbacks, AV Club!

I hear you (and share a lot of your concerns). I'm also wondering why CBS has been so… I dunno, "unenthusiastic" isn't quite the right word, but it's pretty damn close - about promoting and getting people excited, particularly since they had been counting on it to launch their streaming service.

I'm really starting to think that, despite this news.

Man. In the course of reading the article and a lot of the comments here, I've changed viewpoints on this whole thing about six times. I think that's a good thing? Speaks well for the commentariat here, anyway, but you already knew that.

Don't give Leto any ideas!

Yeah, seems like a pretty simple point-A to point-B connection here.

OK, credit where it's due - THAT was a legitimately fun, interesting piece of digital internettery.

Jesus tapdancing Christ, this is still a thing? Why are people convinced that Suicide Squad was the fucking Citizen Kane of superhero movies until a bunch of no-doubt grating footage was chopped out of what steamed its way into theaters? RECUTTING MORE TERRIBLE JOKER INTO YOUR MOVIE ISN'T GOING TO BRING BACK YOUR BEES.

There's potential in the characters for some Shakespearean-tragedy type stories, but I don't think it's ever been realized (at least, it hadn't been the last time I checked, which to be fair would have been around 2006 or so).

I get in arguments about the superiority of Who's the Man? vs. Disorderlies on a more-frequent-than-you'd-think-possible-or-necessary basis.

I'm looking forward to the "See? This Is Why You Talk To Marc Summers" gimmick account.

I swear, between alt-right morons, politics, and the prospects of the future in general, this makes me long for the days when Sean's Newswires were just Charlie Sheen 24/7.

A good friend of mine who's a staunch Republican once described libertarians as "conservatives who get super stoned and wish the Articles of Confederation hadn't been replaced by that stupid Constitution".

I actually liked I, Robot for what it was, I just resented the fact that what it was in no way resembled Asimov's work.

I thought we'd all collectively agreed to hide Asimov from Hollywood!

Here's the thing: a large part of the success of Lumet's 1974 film lay in the meta-film, and the film histories and expectations that actors like Widmark, Connery, Bacall, and Perkins brought to their roles. It was almost a big joke of a movie, relying on those preconceptions and moviegoers' past history with the…