or The Queen Divorcee or The Queen Widow

I like him in The Offer. So its no big deal.

I take the fact that Neeson was willing to skewer himself in a scripted darkly comedic show as a good sign. That he is self-aware and contrite about his actions.

In 1982 I saw them both at the same time with my father and brother. Dad bought tickets to Tron, we watched it and then snuck into the next theater for E.T.

“Why rush out to see Ron Howard’s visually ho-hum Night Shift when it’ll be available to rent from the local video store within the next six months?”

They don’t. They have long term contracts with a variety of source companies.

Top 10 most dangerous foods to have while driving. Soup is definitely one of them

The country only has 200,000 people. Half of them live in the capitol. There is fast food, but little sign of chain stores. Food there seems to come in 3 varieties:

Tobe Hooper?

Doug Jones is a national treasure!

He’s cool in Star Trek Discovery.

His Crash was the best adaption of JG Ballard put to screen. Its only a little gross, but totally gets the source material.

I joked for my wedding that I was “registered at Citibank”. I only had a token registry for occasional people who felt awkward in giving cash (very few guests)

My guess is either he ends up in a shallow grave or a fugitive. I don’t see a happy ending for him at all. 

I don’t think its a good idea to compare this movie, put out by Sony Pictures in the same category as Made for Tubi level drek coming from PureFlix and the like.

Of course. Because one is real and your stuff isn’t.

Dammit Frank! You were having a great middle-age to elderly run as a character actor. Being a guy who could lay on the smarm and acid wit as easily as most of us breathe. You couldn’t behave just a bit for a Netflix series?

The Peter Cushing “The Daleks” moves at a much faster pace than the original. But the original “Dalek Invasion of Earth”, a much grimmer story, works better in its original black and white (except for the Robomen). Plus it has that great ending monologue where Susan is locked out. (Later reused as the intro in “The…