Halloween II was great and everyone who disagrees is wrong, ignorant and wrong.

I don't know, I thought it was actually really nice sign of friendship and how far their relationship has progressed that she stepped aside and let him take the reins, even though she thought he was doing it wrong.

I think the main issue is that there was no sense of escalation and things slowly spiralling out of control. It stayed more or less at one level of zaniness when a stronger episode would have been building toward a climax. They were all funny scenes in isolation, but a TV show can't just be a collection of scenes on…

You know, I just realized…why doesn't anything ever get an E?

"I'm about to make it rain up in the comic book store!"

"How can you not find that affecting?"

The shady manipulation of Bette into killing Eiling and all Wells' lines about 'going home' and veiled references to being a suicide bomber were kind of dark though.

I think Candice Patton is a whole lot more likable in her role than Katie Cassidy has ever been, which kind of makes Iris being so milquetoast so much more disappointing.

He was on screen? All I saw was a bunch of hair which could've just been a small dog or like a really fuzzy comforter.

Everything about Iris is so zzzzzzzzzzzzzzzz. It's not even that I don't like the actress or the character - all her plots are just so predictable and hackneyed and feels like ground that's already been trod on a million times before and a million times better. I don't care about her investigating the Flash, I don't…

Everything about Schmidt's storyline made me unreasonably annoyed. They tried to play off the incredible grossness of the situation with some schmaltz about how Cece would still be the most beautiful girl ever blah blah whatever, but it was still another eyeroll worthy episode for him.

It wasn't bad because it was multi-cam, it was bad because it was badly written. There are a lot of multi-cams that reach a basic level of competency which Mulaney doesn't even reach. The format wasn't the problem and I think a single-camera setup probably would have exacerbated all the worst things about the show.…

Sepinwall does one every week with Dan Fienberg and it's the best one out there by a long way. Mo Ryan and Ryan McGee also do one but honestly, my TV sensibilities and theirs don't match up all that well so I rarely listen to them.

Tim Goodman from THR wrote an article about Sleepy Hollow's sophomore slump and on his podcast later that week, he said the EPs contacted him genuinely baffled and confused that fans didn't seem to like the new direction of the show. So…not a promising sign.

I swear I saw one like two days ago for some animated Miyazaki looking thing.

Sometimes I don't think Holt even counts as the show's straight man anymore, honestly. Since the second half of last season, he's pretty consistently been the 'wacky' one in his plots, albeit in his own stoic, muted way. Rosa and maybe Terry play straight man far more often than Holt does. Like, I don't think Rosa's…

I don't know that I'd call him taking Amy aside and talking to her about running for Union Rep counts as wacky…

I gotta say, Holt's relationship with Gina is my favorite and totally underrated. She's the rare character that gets to have the upperhand over him and you'd never think they work together because he's such a by-the-books rule follower and she's an anarchic shit stirrer, but I find their whole dynamic really fun to…

(cat doing home alone face)

I dont know why, but the reveal of Gina's real name as Regina made me crack up.