Kanye can still pull off a great verse when he needs to. His verse on Daytona was whack and so was most of his rapping of Ye, but on Kids See Ghost he’s consistently rapping great (his verse on “4th Dimension” is classic Kanye, and it was funny seeing the review here criticize him for rapping about anal sex and not…

This is a really gross attitude to have towards death.

The “retard” “inbred” “oven cleaner” parts of your post are super eye-roll worthy, but I do agree that just because someone was a bigger piece of shit than you when they were alive, doesn’t mean you’re not a piece of shit for being actively happy they died (especially when it’s a 20 year old who was murdered.)

Checking in with Scotty Auks: CB!B! is quietly having a fantastic year, R U Talking R.E.M R.E. Me? is not as funny or quotable as UTU2TM but being much more into R.E.M. than U2 means I enjoy them about the same (it will be interesting to hear the Reveal and Collapse Into Now episodes, as neither of those albums are…

Agreed. “Takeover” is honestly the better diss song. That “one hot album every 10 year average” line is still hard today.

For real. I haven’t heard this yet, but writing a review based off of 2 listens of livestream seems like a new low in this already sad trend of current reviewers rushing to have the first review available online of hyped albums.

(Adjusts monocle).

Her tweet storm certainly didn’t make her come off very well, especially when the most damning thing she could say about Rhymefest is that he wore fake Yeezys one time.

“Nice For What” was a good track, but this is pretty lame. Certainly don’t think it will blow up like his last 2 singles did.

Ah, the extended butt jokes. This album is absolutely childish and filthy, and I love it for that.

Excited for this show. Also realizing it’s easier to get invested into female comedians, since all the guys are turning out to be awful.

I love how weird this album is. I know P-Funk has always been weird, but a lot of older artists tend to sand off their more idiosyncratic edges and I love that Clinton and Parliament are still so willing to experiment with new sounds. I thought Judas Priest would have the most unexpectedly great album from a 50 year…

Bateman: Well that interview went really well.

Still not as exhausting as being any woman, any place in the world.

Exactly. This won’t ruin Bateman’s career. Aziz is fine, even fucking Louis will probably be back in 5 years, Bateman can survive this. There seems to be a growing consensus that a man getting any amount of shit for his mistakes after he’s made an apology, no matter how half assed, is unacceptable behavior.

Some of the site is good. Mostly they have to be very tailored to specific things I enjoy, like the Earwolf sub or subs for Tv shows I like. Like after the NY Times article, I expected the Arrested Development sub to be a cringefest, but the overwhelming tone of the comments was “oh wow fuck these guys (especially…

The main crux of their argument seemed to be “if black people can say it, they have no right to be offended by me saying it” and “if it’s not said with hateful intent then no one should have a problem with it”. Both equally dumb arguments.

Oh nice some the 2% of Reddit I like. Meanwhile on the main Music subreddit they’re was a thread about saying the n-word at concerts, I said “I just make it a policy as a white person to not say that word” and got over 30 downvotes and dozens of replies about how I was a triggered SJW leftist cuck, and how black…

Oh yea I wasn’t talking about Donald, just the writers wanting to credit for Dumbledoring Lando.

Da da da da da da da da da da da da da - JIZZ!