I didn't think that was in question.

"But if Carlock and Fey are suggesting that the offended were only offended because they had not seen the show in full, well, that simply isn’t true."

You're giving PARA too much credit. I'm sure Mr. Neeson isn't even aware of the "boycott".

Pro-lifers shouldn't pretend to be on a moral high-ground when (no, I'll be nice; if) they're the same ones supporting the death penalty with disturbing fervor. Everyone has their rationalisations for their contradictions.

Nominating "Everything Is Awesome" for Best Original Song just feels like rubbing salt in the wound.

That suggests that he's the only director making movies that aren't "super hero movie, or reboot, or CGI retelling of a prequel reboot, or a re-imagining of a prequel retool reboot robot novel written with a random number generator." Maybe if it'd been released in theatres everywhere during the summer, it would be a…

No love for Wonder Woman?

Can the sequel be that Super Max movie we were promised years ago?

That's what you found stupid? Maybe the space docking computer was incompatible with whatever system the decades-old marine robot was using. It's a future where NASA has to make do with what they have; I'll give them a pass on the cool-looking robot using a joystick.

I never had a problem with the idea of Cooper sending messages to the past; it was the love crap that seemed silly.

IDK. I kinda like "Meet the Rest."

Was he actually physically abusive? Because the film implied that the scene of Nick throwing Amy on the ground as something she made up for the diary. When he pushes her against the wall and threatens her at the very end of the film, I didn't even see that as a man abusing a woman; it looked like a man confronting a…

See, I'm also confused by people insisting Gone Girl is a commentary on relationships or marriage, but I don't think misogynists need this as "proof" that women are manipulative and evil; they could see it as validation or the end result if feminism isn't stopped. I agree she makes for a great villain, and MRA…

No matter which of us won, Tom Cruise lost.

On iTunes and Amazon Instant Video, it's officially called "Live. Die. Repeat: Edge of Tomorrow." I'm not sure why that doesn't count as a true name change. And even though the "Live. Die. Repeat." tagline was heavily used in the marketing, I'm not sure anyone confused it with the title (but I haven't surveyed a…

I'll grant you that it's more memorable than "Edge of Tomorrow" and would make a better Bond song, but it actually tells me less about what the movie is really about.

I still don't think All You Need Is Kill is a much better title.

I do think detractors tend to blissfully ignore the moments of humor the first two films have to prevent things from getting too serious. You can tell Wayne is flat-out proud of the wake he left escaping Arkham Asylum in Begins. And Heath's Joker might not crack jokes, but he still knows how to play a moment for a…

For all the problems Schumacher's film are riddled with, it doesn't seem genuine to recommend to skip both of them and watch Burton's duology. For one, I don't think Burton's Bat-movies are all that good either. They're not as loud and none of the actors playing the main villains are as confused as Tommy Lee Jones,…

Even Christopher Nolan doesn't consider his trilogy "realistic." He's been very upfront about this, since all the way back while he was making Batman Begins. He sets the films in a cityscape that's recognizable so that viewers can imagine living in that world (not unlike the dream-building process he describes in Incep…