I definitely shipped Stamper and Rachel early on. Though by the end of it I thought it was creepy as fuck. I feel like the Rachel storyline has run its course…unless the writers decide to knock over Underwood's house of cards. I mean, Rachel could absolutely do that if she wanted to…now that Doug is no longer around…

Hahaha Meacham. I hope there is at least some awkwardness with that next season, because that character doesn't seem like he has a great poker face.

I wasn't that shocked by Zoe's death. I mean, it happened very quickly, but that scene had suuuuuuch a sense of foreboding, I knew something like that was coming. It prompted me to come up with the phrase "Chekhov's subway platform"

I was going to be pissed if Terriers wasn't on this list. But it is. Carry on.

I literally clapped my hands like a seal when I saw him

That was absolute perfection.

I was 1000% under the impression that Jess was an only child.

These European quotes are warming my ice-cold heart.

Can I use my points to make a phone call?

The European might be my favorite character. I want a 10 minute loop of him saying "sausages". I can never get enough of those Spotted Ox Hostel videos either.

Abby is like a grown up version of Sam from iCarly (I babysit a lot, so that's why I even know that). Seriously, it's like the exact same character 20 years removed.

That GOT preview recorded on my DVR but I haven't had a chance to look at it yet. But I did catch Hodor at the very beginning of my True Detective recording, and that was cool.

I need to rewatch that episode just for that scene. Hot damnnnn.

I can't remember the exact wording, but whatever Cheryl said about her uncle dressing as a ghost was pretty spectacular.

I think that was a good choice by the filmmakers because 9/11 is totally unrelated to Petit's story. It's a very triumphant movie, about a man achieving his dream and about the friends that helped him get there.

(I really hate 3D, just in case that didn't come across. I feel like Hugo is an example of a great director completely mucking up the simple wonder of the source material because of such a heavy reliance on 3D and CGI. Gravity, however, used 3D to awesome effect without distracting me on any level)

I thought the movie dragged a little bit but that crash sequence is fucking spectacular. That's the type of visual skill I think he could bring to Petit's story. I just hope the 3D doesn't get out of control. It would be really easy for it to veer into cheesiness. What's so incredible to me about Petit's story, other…

It's kind of beachy. I dig it.

I was very curious as well.

The Empty Hearse: B
The Sign of Three: B+
His Last Vow: A-