I think they did that with a couple Madonna videos, “Like A Prayer” was one

You’ll know she completely sold out if she starts telling jokes

Hey Katie you’re a scab writing for a website that a few months back got rid of a bunch of their unionized staff, so you don’t get to call anybody disgraced

Least surprising revelation ever.

This is a tough one...I think Redd could have been one of the core cast for the next few years. They certainly needed to pare down the cast but I would have made him a priority to keep.

Dude from your comment it sounds like your kinda getting off on what Allen supposedly did, since you repeat it so many times?

Captivate me NOW dammit or I’m putting Real Housewives back on

Literally half a good movie; I remember really enjoying the first half and hated the second, which veered off into a completely different story.

Excellent movie.

To be fair, Annie Hall is a better movie than Star Wars.

Jesse could be annoying–he would frequent the comments to argue that kinja-era AVC was better than when Zodiac Motherfucker was commenting here, which, c’mon man–but he fundamentally cared about film, which is the key thing a Matt Schmickowitz lacks

But but but progressives don’t find Bowie cringe so he gets a pass

In fairness, he really hasn’t made a good movie since–and I’m being generous here–Small Time Crooks. 

This is AVC house style for Woody Allen articles, that they have to make it sound like Woody Allen is accused of Harvey Weinstein levels of abuse when in really there’s just one flimsy accusation against him. 

It’s funny to think that Gawker (or whoever owned them at the time) thought Kinja was going to be adopted all over the internet and rival Disqus. They’ve literally never gotten it to work properly.

The Avocado had a ton of potential when it started. I wouldn’t say it was founded by the most annoying commenters but maybe the most emotive commenters? In any case it could have been an AV Club in exile, with some moderation to keep the worst commenter tendencies at bay. But it was too egalitarian for it’s own good:…

During Miramax’s heyday Weinstein had a reputation for taking films out of directors’ hands and editing them to death, or burying films he’d spent a lot of money to acquire. Not sure of the extent the rapey part was known outside of Hollywood circles.

I’d say a lotto Gen X folks are disappointed that he couldn’t develop beyond rehashing the same jokes and characters that make Clerks great. He didn’t need to be Jarmusch.

But not his first two, which I think killed his momentum