But I would miss the AVClub’s stock headlines for each episode: “[Insert celebrity name] Isn’t Enough to Save a Middling SNL.”

I am very curious what unexpected direction this episode is going to go in. It is in this show’s DNA to constantly subvert expectations, and they’re leading us on to think we know what’s going to happen with Walt and Jesse coming back...

I don’t know if Better Call Saul needs any “wayward fans” from Breaking Bad. If they were fans they would probably be watching along with the rest of us.

Why exactly are you posting this same reply in every thread? There’s six of them so far.

Would that-it-‘twere so simple.

The slideshow lost me starting with “marvel unleashing top-tier characters like Iron-Man.”

Saw Love and Thunder over the weekend, and thought it was just fine. I’d give it a solid B. It wasn’t as good as Ragnarok, but it was better than the other two Thor movies by far. It blends stories from the comics—Jane as Thor and Gor, etc.—just like many MCU movies do, and it was an enjoyable take on those stories.

Why the fuck would this be a slideshow. Fuck off.

I thought the idea that Jane went to Valhalla because she died battling cancer was a nice touch.

I thought it was a nod to Stormbreaker’s haft being, y’know, Groot...

My favorite joke in the whole movie was Korg’s deity sitting on a throne of scissors.

I’m just going to come out and say it:

I really don’t understand this marketing campaign for The Flash.

On the other hand, there were 3 different Peters Parker.

Whenever they get around to making a real FF movie, assuming that Krasinski is indeed not cast as the “real” Reed, they should still have versions of him pop in through multiverse portals every so often only to be immediately killed in increasingly absurd ways.

It was Kathryn Hahn, she is behind it all, it was her all along

C’mon Sam... just, really? Suicide Squad were prisoners that Waller used to go on suicide missions. Thunderbolts were Baron Zemo’s Masters of Evil in different costumes posing as superheroes in order to gain power and control. The closest they came to being like a suicide squad was during Civil War I when they were…

Looks good, from a production design standpoint. Though really, HBO marketing should be pushing one message about this show: “GRRM already wrote this entire thing, the story is complete and all the major plot arcs are fully roadmapped; the show won’t have to fast-forward, half-ass and make up a bunch of stuff as we…

Yes, this is a pissy, self-centered argument by Davis.

No word of this criminal mastermind?

And, really, we could leave it right there (Maybe for good! That would be nice!)