Trixie had a similar dynamic with Sol.

Oh, that scene where he stands up to Dan is beautifully played. W. Earl Brown's eyes shiny with tears as he prepares to do Al's bidding, while Brad Dourif grimly and defiantly stands his ground, telling Dan about all the awful jobs he'll have to go back to if he kills him (despite the fact that Dan is clearly having…

His work as Doc Cochrane was brilliant, and it's so intriguing that Milch didn't seem to have a complete handle on the character to begin with. The first moment we see the Doc, he's being asked to see to the john that Trixie shot with her concealed pistol, and I remember thinking to myself, "Oh, it's Brad Dourif! This…

Yes they do sell Mein Kampf at the bookstore of Malaysian airports

"…I think I'd like my money back…"

THIS IS AN OUTRAGE!

"Fucking me and fucking Bud aren't the same thing, you know."

I remember that so vividly in the cinema. There were gasps.

"His blood's always up."

"The Nite Owl case made you. Do you want to tear all that down?"

My dad snuck me into a midnight screening of that film when I was 17 (it was a very good year.) He didn;t know much about it and had agreed to take me because I'd heard it was really good.

Oh man, I kind want to give you a nice platonic back massage now.

I'll accept that the idea that a human being's core set of emotions being limited only to Joy, Sadness, Anger, Fear and Disgust is reductive, but that in itself is jumping off point to express something more profound about the human condition. It's not that Sadness is validated by virtue of the fact that they develop…

But something fundamental does change. As I said before we the viewers weren't presented with the idea that things like memories and core memories can consist of more than one emotion.

I disagree. While the concept might not be any less cute, it definitely is more detailed and more nuanced in the way it has presented the way emotions work in the world that they've created.

I think the fact that Riley is a young girl without a set of fully developed emotional coping mechanisms is a huge part of Inside Out and largely what the film is all about (maturity).

Our Mother does sound very interesting, and that's a pretty nifty metaphor to explore mental illness, but I did take issue with this part of the review:

Bloody Marys, Lagavullin 16, Moscow Mules, Guinness and Pale Ales are par the course for me throughout the year.

JEAH!

Granted there's a bittersweet edge and a melacholic air to a lot of the film.