God, Dinosaurs on a Spaceship is atrocious, in every way imaginable.

The Timeless Children is just an abysmal hour of television even putting the retcon aside. It’s a power-point presentation, not a story.

I love Gridlock! Also he wrote Midnight and Children of Earth.

Was that in A Writer’s Tale?

No one. The writer is a UK leftist living in Sweden. He simply didn’t think through some of the lines, but no, it’s not a pro life parable. It’s a trolley problem in space.

This only holds true from about Let’s Kill Hitler to The Name of the Doctor. The run from The Day of the Doctor to The Husbands of River Song is something else. S10 is good too.

Inject Ghost Light, The Curse of Fenric, Listen, Dark Water, Heaven Sent/Hell Bent, etc. directly into my veins. That’s the type of Doctor Who storytelling that appeals to me the most.

The difference is this time, it’s actually true.

He wasn’t on a leash though, RTD didn’t re-write a word of his. He even restructured S4 just to better fit with the library two-parter.

I think the only consistent eras of Who are McCoy’s and Capaldi’s. Also the most character-driven.

I underrated him. He’s one of the best Doctor Who writers ever (in that top Whitaker-Shearman-Cornell-Moffat tier), and one of the best British television writers at the moment.

I heard Miracle Day really didn’t pan out as he wanted.

I don’t know about that. The 4th Doctor and Romana II in City of Death imply otherwise.

I agree with Darren here. This is indeed a very fitting epitah for the Chibnall era. He almost Eric-Sawarded it right off a cliff. Utterly appalling writer.

I love the Rose novelization so much.

It’s one of the best pieces of British Isles pop culture that I’ve seen. It’s nice that’s ending on its own terms rather than dragging itself out.

You’re a fuckin’ prick is what you are!

Don’t question it or have standards, just consume content and be happy.

An odd suggestion. Some hard work goes into pretty much all media--doesn’t mean I have to be satisfied with it.

Tired: turning beloved works of anime into inevitably inferior live action products.