It undermines how much I care about Keeley’s romantic relationships a bit that Juno Temple’s chemistry with Hannah Waddingham is so electric. Holy smokeshows
It undermines how much I care about Keeley’s romantic relationships a bit that Juno Temple’s chemistry with Hannah Waddingham is so electric. Holy smokeshows
Every scene will include several shots of Deadpool turning to stare at the camera for several seconds, or just standing motionless, to make room for dubs later. Reynolds may actually ad-lib something on set, but that will get overdubbed in post just to be safe.
Yeah, I was gonna say... er? Deadpool mask? ADR later?
Nothing a little dubbing in post after the strike couldn’t fix...
I just spent almost 100 hours getting the platinum trophy in Forbidden West and exactly zero NPCs seemed to mind when I would glide into their village and close the glider right above their heads. They’re stable people too! Not a single one lost their footing and fell to the ground when a full grown woman fell out of…
It doesn’t really tell you anything, to be honest. Most games don’t have reactive NPCs. For example, the NPCs in any Bioware game or JRPG or MMO. The number of games with NPCs that actually react to your actions is pretty tiny.
Not the Polygon quote I’d have picked, when they also wrote:
Am I the only one that sees Lasso as a slight retelling of the Wizard of Oz?
Bud, you spaz out in the comments every time a review goes up. You seem deeply unwell.
While the seventh season of Dexter was not one of its better ones, the first three-quarters where Ray Stevenson was the main antagonist was a darn near return to form compared to the abysmal sixth season. Steven brought his trademark menace, but also depth and vulnerability, to a very different sort of killer than…
Again, this is the part where you should’ve watched those episodes and been paying attention because that was the conflict.
Nah, the longer episodes have been necessary for the plot so far—barring the outlier of “We’ll Never Have Paris”, which was just misguided from the start. The narrative is tighter than ever, the jokes are wittier and punchier, and the emotional beats still land as well as they’ve ever had. Not a single minute wasted.…
I think they’ve managed to make the hourlong episode tight enough that they still work great. Being longer and maintaining quality is a good thing. It means they’re not being longer just to add dead air, they were deemed necessary for the plot.
I don’t think that’s a fair way of looking at it. That season 1 was incredibly tightly plotted; everything flowed steadily and logically and made sense. Like Ted himself, its winning nature was in its steadiness and consistency.
Starting to think people who hate this show just hate joy.
Now that Hollywood has finally figured out Dwayne Johnson is a toxic asshole, maybe seemly genuine nice guy John Cena can land all the roles Johnson was previously hoarding.
Maybe Echo will be an Andor situation, where we’re all like, “Really? That character’s getting a show?” and then it’s amazing.
The whole Feige/Perlmutter thing is super interesting. The craziest part to me is that even 32 movies in, the best movie is still one that came out when Perlmutter was in charge (Captain America: Winter Soldier).
to imagine what the mcu would look like had Perlmutter gotten his way, just rewatch the Inhumans pilot, which let’s not forget was released in imax theaters.
“Imagine there’s no Feige” -Jen Lennon