I disagree she wouldn’t have seen it. Yeah, it ended when she would’ve been a child. BUT thanks to the internet, specifically Netflix, watching a show that ended over a decade ago is still plausible. Not to mention the show has been in syndication ever since it ended. So yes, she’s too young to have seen it when it…

His villainy eye twitch, looking out at a distance with clenched fists as the camera stays on him for 5 seconds was straight out of tv soap bad acting school.

She’s a speedster from the future who came back in time to hang out with the father she never knew. There are some obvious roadblocks to dating in that scenario, irrespective of sexual orientation.

Oh hey, I actually just realized something that helps with this issue: with the Time Masters gone, Rip post-s1 is seemingly the only person in the universe who knows how Gideon works. Which means that if he doesn’t actually *100%* know how Gideon works (much as most computer users may know a lot about computers, but…

I’ll probably repeat this when i09 reviews this episode in a few days.  Mona calling Nora and Ray “this generation’s Ross and Rachel” bothered me.  Ross and Rachel were HORRIBLE to each other.  They were both toxic people in a never ending competition to see who could be the bigger terrible person.

I agree with this for the most part. Good but scattered with a few exceptions.

Yeah, although a key plot point, I’ve felt like the Waverider had technology to make it it’s own self sustaining ecosystem, and it certainly didn’t have any support from anywhere for the time before they were accepted by the Time Bureau.

That’s a fair take. I guess I just wish they’d show him as more assertive somewhat, like how he took initiative and smashed the guy’s phone in this episode. This is a guy who accomplished a lot of things and lost his wife at a quite young age! I don’t want him to lose his fun-ness, but I want to see his serious side…

I get that, but that’s not what I’m talking about. His characterization now feels disconnected to when he was on Arrow. They’re playing up his naive boy scout thing(and I don’t mind it, it’s fun), but it’s kiiinda undermining who he used to be, in a way. If that makes sense.

I enjoy that the reason he was doing it was he’d already figured everything out and was waiting for them to catch up with him and feel good.

Well, from what I’ve heard, that Old Hollywood accent was a deliberate attempt to replicate elements of British English.

My Ma(who also watches this) brought this up, but I kind of agree: Wish the show remembers that Ray was in fact a billionaire and built his own company. I love fun, naive Ray, but I kind of miss his more suave, classy style from his Arrow days.

Yeah either a biopic about the making or a story following a family trying to make their way through a road trip using the Green Book would’ve been more intriguing.

Yet it was very inaccurate in other ways. Honda was on the Chinese front when Hiroshima was bombed, and the original idea for Godzilla didn’t come from him, it came from producer Tomoyuki Tanaka in 1954, partly as an emulation of Harryhausen’s 1953 The Beast from 20,000 Fathoms and partly as an allegorical protest of …

I agree, but only to a very limited point. Yes, human interaction is a key factor in breaking down walls. But there is also a desperate need for honest discussions about racism; we need to talk about what makes us different as well as what unites us.

This isn’t the first review I’ve seen refer to Shirley as a jazz pianist, and even his own Wikipedia page labels him as such. It’s an interest comment both on our cultural distance from the musical scene of the ‘50s and a confusion (then and now) about black musicians operating in a space that’s outside the expected…

Honestly this movie sounds like the kind of movie people watch to justify to themselves why they still talk to their Trump supporting relative.

He keeps applying for a pardon for his said crime and every governor (of Massachusetts) has said, “Uh, no.”

I can’t stand Wahlberg, but a movie that looks at the foster system, the realities of kids who are about age out of the system, the difficulties of multi-kid families, etc...I may have to break down and actually see this.

Loosely inspired by the experience that Anders and his wife had when they decided to foster and eventually adopt three older kids...