Oh please. Nobody’s gonna be surprised by the Easter Bunny. It’s been an open secret in the holiday mascot industry for decades.

I think you may be giving short shrift to Michael Schur’s other currently-running sitcom, Brooklyn Nine Nine, which is every bit as good as this, albeit in a completely different way.

The kids are superbly cast. I love the vibrant colors (the costume department does a lot with a little). And the score is subtle and lovely.

Nah man the kids are where it’s at. Parents are always squaresville, I mean real Melvin.

My parents were classic Bond villains. Way too much exposition and their fiendish deathtraps and punishments always had an obvious flaw to be exploited.

I still dislike how they cast Molly age-wise. The actress is kind of cute and I don’t care about the race change but she is at least two years too old. A lot of comic Molly’s appeal is that she is a little kid and so powerful. And that cat hat just looks silly on the actress now.

This is great news. Can’t wait to check it out. For anyone wondering, the new Runaways comic series is really good so far as well. Great art and a solid feel for the characters. Plus, you don’t have to have read anything past Vaughn’s run, which is probably where you should stop anyway.

I love Petra’s little grin when Krishna uses the Louisa thing to ask for a pay raise.

I’m a psychologist who specializes in treating BPD, and this is one of the best fictional portrayals of the disorder that I’ve ever seen. The language used to describe the diagnosis was even in line with DBT, one of the most effective treatments for the disorder. Really impressed!

“Now I have a musket. Ho-ho-ho, good sir.”

“Yippee-Ki-Yay, Heathcliff!”

Cut them some slack. Not many people realize that Die Hard was an adaptation of Wuthering Heights.

Disagree. Chapter 2 wasn’t as good as JW but I really enjoyed how it went HAM on the ridiculousness. I knew it was really good when(spoiler alert) JW let the woman kill herself instead of him doing it. I was afraid he might forgive her, or team up with her, or that she might come close to beating him, or that he would…

I didn’t hate it, but I much prefer the elegant simplicity of the first film.

“Can you love someone who did bad things?”

A man walks into a bar, and sits down. He starts a conversation with an old guy next to him. The old guy has obviously had a few. He says to the man:

She said,” It’s vital that people are held accountable for their actions, no matter who they are.”

Obvious flaws aside, this season accomplished the remarkable feat of making me genuinely like Lindsay as a character, against literally all odds, considering she’s been canonically The Worst for the past 3 seasons. Glad Falk gets to endhe show on his own terms - it’s precisely the dignified end that a show of this…

Holy motherfucking shit.

I grew pretty tired of CS’s defense that they were mixing legitimate film criticisms, continuity errors, etc. with jokes being made by an “asshole critic character.” Those two approaches sound great on their own, but why combine them both in the same video? It just dilutes the effectiveness.