leonelur
Cocacolaoso
leonelur

Yeah, that really puts ‘a black fly in your Chardonnay’ into sharp perspective, doesn’t it.

Government flunkies, huh? Okay, sure... but gratuitous entertainment or not, the second he guns down a non-corrupt cop or ATF agent, I’m walking away and not looking back.

Jessica tried very hard to find a non murdering PurpleMan Solution and failed to the point where her only option left was just to kill him.

I’m terrified of the people this show could inspire. I miss the days when that idea seemed outlandish.

Um, Wolverine, Spider-Man and the Hulk appeared in Ennis’ Punisher.

What the controversy comes down to is the same old sentiment that violent entertainment is corrupting. Your article goes a lot deeper than that, and makes important points, but at the end of the day, the argument is that the Punisher’s story needs to be more than about mowing down a bunch of guys with giant guns. I

Eh, I’d say MCU Luke Cage could take him down if he goes too far.

Please tell me I’m not the only one who was waiting for her off screen husband to come around the corner of the doorway and be The Woodsman.

Yeah, Tremond and Chalfont are the same woman (well, in season 2 it seemed she was pretending to be someone in the trailer park, and then showed up as herself in FWWM, but still, same person). A lot of people are saying the final 30 minutes take place in the “real world” because of the homeowner, but those names,

OK, I have to ask a couple questions:

The opening credits are always great, too. Maybe because there is no dialogue.

His attention span is built for 30 second spots, not 10 episode series.

Ryan Murphy is the showrunner version of the wrestler Sabu. Sabu doesn’t do cohesive matches so much as string dangerous, high-flying spots together. Murphy crams in as many “shocking” scenes as he can without regard to plotting.

I wish the show was even half as good as the teasers usually are.

I try watching a season every other year, and can never finish. I think the paranormal stuff really ends it for me. Roanoke was great until the actual Butcher showed up, then I lost interest. It’s easy to imagine fighting a bunch of psychos or real life threats, but knowing you’re completely screwed and have no way of

The first season was so bad I didn’t make it all the way through.

What I’m asking myself... why does io9 coverage of AHS always sound like it’s based on the assumption that franchise was ever good?

Wait wait wait

Every year, American Horror Story reveals an intriguing new premise, builds anticipation with stylish teasers, and then collapses utterly once the story can no longer survive on posturing alone. Still, there is always a brief window between the first unveiling of the theme and maybe the second episode of the season