ksedge--disqus
ksedge
ksedge--disqus

That's disappointing. I think I'll stick with The IT Club, and, well—-this may be a little controversial—-but Sherlock as well.

Indeed… Hoping she's back in season 2 (sans the bunny coatume).

Book stuff: other than the fact that Serena Joy was a public figure before Gilead, this seems to all be the show’s invention. Others who’ve read the book—am I wrong?

It was sad. Because he seemed to be showing kindness, she felt safe enough to challenge him. And maybe she could, but only around the edges, nothing central. But when she pointed out that love was missing, things suddenly got very dark.

Wondrous, horrifying, chilling, hopeful. Emily's driving scene said it all. Lovely. :)

And then… he rips away the Mr. Nice Guy facade by indirectly threatening her with mutilation if she doesn't toe the line.

I know this is an old discussion, but I have to say this somewhere: dear holy squids, but I love Shaw. She's Wednesday Addams all grown up. I think she really is my spirit animal.

Maybe it was a little disjointed, but I have to admit… I loved the heck out of that last scene. I'm having the urge to scrawl "NTBCB!" on every available surface.

Oh, dear sanity. As if it's your right to define what other people should and shouldn't feel.

I thought the point of that exercise was to give Finch a chance at weighing the pros and cons of having created the machine in the first place. He seemed to be having a moral crisis about that decision, as well as the knowledge that it would be used for massive surveillance. (I think it's why he told the machine the

I thought it was perfect. All the themes of guilt, innocence, redemption, trust… lovely. <3

I like this perspective, thanks for posting. Am in first viewing on Netflix and struggled through season 1, but I think I'll appreciate it more on re-watch.