Yes—this episode was one of the
sharpest takes on Cosby that I’ve seen in any form.

I believe you'll find that the dingo ate it.

This show gets in a lot of good digs at the one percent, but somehow Mr. Peanutbutter's speech seems the most devastating (maybe because he's so generally likeable and he's clueless, not malicious):

"He is never going to forget that."

J.D. Salinger's "spare lyricism" on full display:

"I'm trying to have a more fulfilling orgasm."

What an elitist!

Unlike, ahem, certain previous Presidents, I believe that Obama may actually know and care about books and their authors.

I'm keeping my fingers crossed for a Smile Time crossover episode. I'd like to see Kermit weigh in on the question of responsibility in children's programming.

It was a great send-up of both cop show clichés and Angelenos' insistence that freeway routes are an endlessly interesting topic of conversation.

He was hilarious. I loved his freakout (ultimately a crime-solving freakout!) about why they'd take the 134 if they were going to the beach.

Aaron Paul's great and the relationship between Todd and BoJack is oddly, sadly compelling.

Another great deflationary ending.

After the publication of Catch 23 and The Scarlet Z captures the important sequel-to-that-book-you-read-in-high-school market, the industry will be back on top!!

A million copies? Print media is back in business!

"Awful in a way that should have been boring, but worked perfectly"—that's the perfect way of putting it. The distant, disapproving mother character type is pretty well-worn territory, but it just works.

This show is just relentlessly and marvelously cruel (did it sit too close to the t.v. when it was young?).

"Let us now read his final tweets."

Kumail Nanjiani reveals his One Weird Trick for getting on The X-Files .

Fair point about the length.