I’ve been exposed to Choe’s art and Choe as a personality since he started appearing in and collaborating with Giant Robot way back when, and while I’ve been entertained by his performance in Beef, he’s always rubbed me the wrong way. It’s not because I know he’s a rapist (I don’t), but because I’ve always seen him to…

I don’t remember that scene at all.

This one has a cameo from Chip and Jojo!

I met Mike Mills once and I ended up putting him inside a big jar in my basement.

“Man On The Moon” should be taken down a number of positions, and in place of it should go “Harborcoat” and “Try Not To Breathe”.  Sorry, I’m not taking questions at this time.

I pretty much agree with you both. A number of the comments are pretty sexist, and are indeed proving her point. BUT, Ratajkowski is also quite unremarkable, so I don’t think she’s a victim only of Hollywood’s toxicity; she’s also a victim of not being talented or charismatic enough, and I don’t know if she’s owning…

The problem, too, is that Scorsese in a way ‘owns’ that song, so it’s almost Pavlovian that that’s where my mind goes, so it’s a little jarring. You almost end up expecting Billy Batts to get stomped on by Waller-Bridge.

That was a bad choice, like a high-school-freshman choice. It actually made me less excited about this movie compared to when I saw the first trailer.  Despite being set in the ‘60s, I’m still hoping for swashbuckler energy, like when he’s riding a horse through the parade, but that music just didn’t help.

I totally agree. I do believe that it can take years/decades for victims to fully understand and come to terms with how they were treated and abused, especially when at the time and maybe many years afterwards people didn’t think of the situation as problematic, and in some cases she might have been considered ‘lucky’…

I’m not sure how Murry Chang would answer, but the point I take from it is that the net can be cast far and wide because there are a lot of guilty people out there, so you can’t stop at Tyler, and there are many more victims.

I used to watch Breakfast Time (for unironic reasons) nearly daily. That’s where I first saw Tom Bergeron and Phil Keoghan.  I was very amused by their wholesome energy.

That’s very fair.  I suppose it’s typical for entertainment to highlight what’s (considered) out of the ordinary, and this feels like this fits right in.

I’m still not sure how to feel about diverse casting like this. I love seeing diversity on screen, but it’s a tough balance for me to figure out where it feels and doesn’t feel real enough, which I know is somewhat silly when discussing a Grease prequel. It doesn’t sound like this show is raceblind; they’re tackling…

It’s freakin’ paint by numbers at this point.

Skylar?  We all know she started Theranos.

I guess I don’t really think that it’s necessarily appropriate that Best Supporting Actor/Actress wins are for these ultra short screentimes. Judi Dench is great and all, but I don’t think she really was the best that year, especially over Lynn Redgrave’s and Rachel Griffiths’s more substantive (and IMHO better)…

I have a label maker I really like that he can borrow.

#oscarssoglorgonian

EEOAO was just fine, but seemed to be universally loved, so I was happy for that bunch. I was rooting for TÁR (obviously don’t agree with you that it’s a snorefest) and for Women Talking. Both of those stuck with me several days after first viewing. The Fabelmans also seemed to be have been universally loved, but I…

Their being humans doesn’t mean they’re harmless, especially if they turn out to be those Space Jews shooting wildfire-causing lasers that I’ve heard so much about.