Both seek to juxtapose an image of suburban American childhood with tension and tragedy. Kimmy Schmidt in a more optimistic sense, of course…
jerodast
kinjerodast
Thank you Erik for inspiring me to track down one of my favorite video game tracks from my childhood - Sonic 3D Blast's "Rusty Ruins" (Acts 1 and 2) https://www.youtube.com/wat…
The reviewer probably didn't want to waste everyone's time.
I know every episode this happens we're kind of genuinely horrified, but I have to admit, give me a montage of Matthew Rhys's faces and I'll be laughing my ass off.
Philip hasn't really quite committed to his little resistance to the Centre quite yet. If he really wanted to leave open the possibility of letting her go, they'd be wearing masks, have more of an exit strategy, etc. He talks about how he's not just going along with it anymore to try to assuage his conscience, but…
I don't even know what this means but I agree.
MIND BLOWN.
Really? Was it "very pointedly"? Did someone mention Paige's age in the scene right beforehand or something?
That sun will never rise, methinks.
I was like "ARE YOU LISTENING OLEG? Nobody sane mouths off about being bitter about them executing your girlfriend, dummy!"
"The soulmates found each other at last!" All I could think during that scene.
Well…Rhys's acting, anyway.
Exactly. Honestly I love the guy.
I'm not sure he's fully grasped what happened enough to have genuine pride, that seems like the reaction he gives to everything.
Or an alternative to a sandwich, such as a hot dog.
It takes an almighty type of interrobang to pull off that look, but I have faith in him.
I can promise you, being a slacker has not earned me automatic success in my coding career :P Then again I guess I never applied to Google so who knows!
There's another Tron??
I am! :P