The plan has always been to make it into two movies, with the second one focusing on the crew as adults.

And yet they need a white "outcast" to help them?

"ragtag group” of socialists (is there any other kind?) and other American outcasts who have been fighting along the YPG (Kurdish militia) against ISIS in Syria."

That might be one reason why I love "The Crown" so much. Even though it's on a streaming service, each episode has its own specific contained stories and conflicts as well as a common throughline. It's probably easier to get away with that brand of storytelling on streaming if you think about it… had the series aired…

Forgot about that one!

He's one of those great character actors who brings something special to every movie he appears in.

Let's look back at all the actors whose names have been floated around for Cable:

Ryan Reynolds as Deadpool in "X-Men Origins: Wolverine": Potentially brilliant casting wrecked by lackluster execution in spite of the actor's best efforts.

That's what I was thinking. Skydiving from space or something along those lines.

As an Oscar junkie, seeing Bette and Joan scream at each other about their Oscar nominations and category fraud was nothing less than a delight. Somebody needs to make a comedy set in the world of Oscar prognostication.

Yup. It's no coincidence that lots of high-end sci-fi Blockbusters (Star Trek & Star Wars most prominently) tend to seek out actors with theatre experience.

The first half of the episode was so heartbreakingly built around grief that it surprisingly felt like an entirely different show, but the second half threw us right back in to the slam-bang escape narratives we all love. That chase, the Cato reveal, THE LAST SHOT!!! We're definitely in for something great this season.

There's a great book about this specific movie "Orson Welles' Last Movie: the Making of 'The Other Side of the Wind' " by Josh Karp.

Hopefully Netflix gets on their Oscar game because few things would make me happier than a decades-past posthumous Oscar nomination for Orson Welles or John Huston for this movie.

“Everything is signed. All the deals are fully closed, both the Netflix deal and all of the rights deals,” Rymsza told Wellesnet. “Everything we have done for the past year and a half has been grueling, but that’s finally over and now we get to be creative and finally bring this film to life.”

Worse than worse. One of the producers has acknowledged that Sheldon's behavior is consistent with ASD, but refuse to diagnose him in-universe because then they would be obligated to get their facts straight in terms of how the disorder is portrayed. Essentially, giving themselves license to caricature a disorder by…

Is sweeps still a thing?

Nah… it'll be the climax of the first season. Gotta remember sweeps!

The producers' explanation has got to be one of the most brazenly cynical examples of having your cake and eating it to: they say that Sheldon ISN'T on the spectrum, but his behavior is virtually indistinguishable from somebody who IS.

The Robert Irvine Show. Basically all the sappy parts of 'Restaurant: Impossible' (a show I unapologetically loved) with none of the cooking, or business advice, or you know, any of the stuff you'd like to see Robert Irvine do. It's such a cookie-cutter daytime talk show that it could be hosted by Steven Segal and…