Yes, the scorching hot topic of Katherine Heigl and a movie she made a decade ago.

Also it’s just inherently more interesting than “that opinion everyone has? It’s the correct one!”

...you know this is a series about rom-coms? So she is kind of writing the same article, or it just seems that way from the surface. Just like when the other person writes every article about a superhero movie.

Marty: Whoa, wait a minute, Doc. What are you talking about? What happens to us in the future? What, do we become assholes or something?

Amazon Prime has definitely upped its movie game. Lots of great indie titles available. As soon as I watch Black Mirror: Bandersnatch, I am cancelling Netflix.

Their non-Netflix library is evaporating. Their in-house content is hit or miss at best, direct-to-video trash at worst. The value prop for this service was already in bad shape, this just makes the equation worse. I have been a Netflix customer for a very long time but I don't think that is going to last much longer. 

Never demean a rational choice like this. It’s effectively the only means of watching many, many back-catalog films at this point and also the most cost-effective means of watching new releases, assuming you watch more than a couple a month. 

Yup, its money. 

Bryan Cranston’s post-Breaking Bad film choices have been almost uniformly awful. Godzilla didn’t give him anything to do, Trumbo was too conventional by half (and his work is one of the least compelling Best Actor performaces I’ve seen), and the ones that didn’t immediately advertise their awfulness (Why Him, Power…

yeah, those comments are dumb here. Samberg is levels ahead of Sandler. His digital shorts were basically the only reason people were watching SNL when he was there... and why they have failed at digital shorts since he left. Brooklyn Nine-Nine is a really funny show. He’s a pretty funny dude.

“Hey, why won’t white America acknowledge these injustices?”

Was Samberg asking for a cookie?

thank you, Samberg said some real shit there and I don’t have a problem with it.

yet another display of “Yay Progressive Whites!” with the subsequent back-patting for calling out an obviously grotesque moment in American history on national television, yet doing nothing else about its historical effects on the community today.

Or do what everyone in charge of hiring in the industry suggests, “Goto Cal Arts.”

The thing is that when it did talk about racism, a theme that has literally nothing to do with the plot and could have been excised entirely with no issues, the movie treats racism like it’s a minor quirk of individuals rather than a systematic issue.

Than why is the protagonist’s black best friend arrested on trumped up charges by a racist cop literally named “Mason Dixon”’and she’s completely forgotten about until that last half hour of the movie? Why does the police chief, who the movie portrays as a good hearted, brush off “Mason Dixon’s” allegedly torturing a…

Disagree on the last point, her desperate “I’M SORRY!!” coming from off camera was perfect, and much funnier than if they’d cut to her. 

Her apology makes sense. Asian culture traditionally has a deep concern about causing offense.

It’s weird, I can actually hear the voice he’s using in that photo, just from the lean and the set of his jaw.