Looks like a safe “greatest hits” version of the two Alien movies everybody likes. I just wish more people appreciated Prometheus/Covenant for at least attempting something different.

“You wanna get nuts.  Let’s (sighs, checks phone) get nuts.”

Same. I get why they’re there and that they represent a different, extremely x-treme era, but there are *so* many better mutants that could have those spots.

I always call Gambit “The Poor Man’s Wolverine” - they’d revealed too much of Logan’s backstory in the comics and needed a new man of mystery and we got...Gambit. I loathe him.

I have the same feelings for Cable no matter how much better his writing got.  

Does “the Dual actress” have a name?

I was a bit disappointed that in Avengers: Endgame that when they were naming time travel movies and TV shows with time travel in them that they didn’t name Doctor Who. She was even right there in the scene!

The original was so over the top silly, which is what made it so entertaining.

Yeah, but Swayze could sell “pain don’t hurt”. Gyllenhaal, maybe not so much.

Who’s taking the Sam Elliot role?

This remake was better

Hoo haw?

Lily Gladstone was cheated.

Well Johnny, I’m gonna have to call you back because I sense a disturbance in the Force. Hello, Raylan!

he has created iconic music (I am a mega John Williams fan) but is by no means worthy of comparison with the great classical composers. He writes great themes, but has never composed anything remotely as profound or complex as, say, a Beethoven symphony or Mozart opera. And I’ve listened to his non-Hollywood work too,…

Well, your opinion plus your name certainly do seem to go hand-in-hand.

I think you’re thinking of shitty gimmicky time jumps.  There are examples right in this article that don’t fit your take.

When I introduce someone to the show, this is my go to episode. It was for me as well.

I recently did a ‘Fargo’ rewatch, and that time jump is still a thing of beauty. I love the sense that the story *could* end there; Lester could get away with his crimes, Gus and Molly could move on happily (even if Molly would always be a little unsatisfied), Lorne is already onto his next slew of crimes. But because…

“The “time jump” sequence is one of those concepts that could only really ever flourish in television—where the passage of time is so frequently stuck in place, sometimes for years on end, that deciding to suddenly move a show’s timeline forward in the span of a single scene, cut, or montage can feel like a…