kena1
Ronald Weisenheimer
kena1

I used to think Neutral Milk Hotel was made up for Parks and Recreation. It sounds like a parody of a band that hipster snobs would be into, purely for the obscurity of it.

Judge Kent Brockman: "I think we can all agree. This hardly qualifies as 'news.'"

Or skip the middleman and just have gay sex with Jeffrey Dean Morgan.

Of course, there were the dorks who insisted that because the camera dollies around at the last second, Jesse wasn't actually aiming at Gale when he fired.

I was looking forward to the oft-repeated iconic moment when Doctor Strange takes a graphic shit will full-on depiction of pulsing sphincter muscles.

Headline: "expensive movie gets statistically most lucrative rating from the studio union that financed it"

And before the competing teams of editors settle on a final cut that is appropriately incoherent.

The writer of this letter is speaking truth to power, and THIS is what we're taking away from it? Taking umbrage from a tossaway comment near the end, and for what? Because it offends our blissful, bovine enjoyment of corporate-mandated hype?

*Donald Trump angrily tweets Robert De Niro's address with too many numbers in the zip code*

This is pretty much the only time a major company has tried to play fast and loose with copyright law where I can… kind of see where they're coming from.

The homies wanted a pipe-hitting member of the tribe.

"We could've photoshopped a football into this picture. It would've been hilarious."

Prince in 2007 is one for the ages.

Yes. And that's the beautiful thing: much of the time, the framing and editing are the joke. One of my favorite things he ever did is the pair of sequences when Shaun gets up in the morning, staggers to the store, and back home again. Not only a master class in building narrative through visuals rather than dialogue,

"Sir, it's a felony to tease the Unabomber cabin."

"Someone was in the pod. The tracks go off in this direction."

Edgar Wright is underrated, if for no other reason, because he's one of the few popular filmmakers we have left who actually uses visuals as storytelling tools instead of momentary sources of cheap awe.

Probably something to do with all those college kids trying to censor him.

And real.

It was also (mostly) devoid of recut original Star Wars movies. Ah, to be young and optimistic for the future.